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In 1907, as a successful artist, he was recruited by Watanabe Shōzaburō to contribute shinsaku-hanga (souvenir prints) in Japan. [3] Watanabe helped to fulfill the Western demand for newly-styled ukiyo-e woodblock prints which would be similar to familiar historical masters of that genre, especially Hiroshige. In about 1921 Shotei added the ...
Geisha playing go, a woodblock print. Kikukawa Eizan (菊川 英山, 1787 – July 17, 1867) was a designer of ukiyo-e style Japanese woodblock prints.He first studied with his father, Eiji, a minor painter of the Kanō school, and subsequently with Suzuki Nanrei (1775–1844), of the Shijō school.
Ukiyo-e [a] is a genre of Japanese art that flourished from the 17th through 19th centuries. Its artists produced woodblock prints and paintings of such subjects as female beauties; kabuki actors and sumo wrestlers; scenes from history and folk tales; travel scenes and landscapes; flora and fauna; and erotica.
Anonymous: Map of Nagasaki, 1821 (published by Bunkindô) Nagasaki-e (Japanese: 長崎絵) is a genre of ukiyo-e woodblock prints, produced in Nagasaki during the Edo period, that depict the port city of Nagasaki, the Dutch and Chinese who frequented it, and other foreign curiosities such as exotic fauna and Dutch and Chinese ships.
It holds over 100,000 Japanese woodblock prints, regarded as the world's largest collection of this form of art. [2] The Japan Ukiyo-e Museum was established in 1982 by Tokichi Sakai, a member of the Sakai merchant family, who have practiced business in Matsumoto for generations. [3] It is based on collections of ukiyo-e owned by the family ...
Kanae Yamamoto's "Fisherman" (1904). Sōsaku-hanga (創作版画, "creative prints") was an art movement of woodblock printing which was conceived in early 20th-century Japan. . It stressed the artist as the sole creator motivated by a desire for self-expression, and advocated principles of art that is "self-drawn" (自画 jiga), "self-carved" (自刻 jikoku) and "self-printed" (自摺 jizur
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