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Concert Piece for viola and piano (1904) Sonata for viola and piano (1921–1922) Fantasy Sonata for harp and viola (1927) Legend for viola and piano (1929) Cello Folk-Tale, for cello and piano (1918) Cello Sonata (1923) Cello Sonatina (1933) Legend-Sonata, for cello and piano (1943) Flute Four Pieces for Flute and Piano (1912, revised 1915 & 1945)
Tomaso Giovanni Albinoni (8 June 1671 – 17 January 1751) was an Italian composer of the Baroque era. His output includes operas, concertos, sonatas for one to six instruments, sinfonias, and solo cantatas. [1]
The following are pieces that are thought to be wrongly attributed to Bach: Eight Short Preludes and Fugues (BWV 553–560) possibly composed by Johann Tobias Krebs; Toccata and Fugue in D minor (BWV 565) – possibly Bach's transcription of a violin work, or indeed a piece by another composer; Bairstow, Edward. Organ Sonata (1937) Beethoven ...
During the Baroque period, chamber music as a genre was not clearly defined. Often, works could be played on any variety of instruments, in orchestral or chamber ensembles. The Art of Fugue by Johann Sebastian Bach, for example, can be played on a keyboard instrument (harpsichord or organ) or by a string quartet or a string orchestra.
Hamburger Ratsmusik: baroque chamber orchestra; il Gusto Barocco: baroque orchestra; Johann Rosenmüller Ensemble (Arno Paduch): Renaissance baroque choir and orchestra; Lautten Compagney (Wolfgang Katschner): early music ensemble; Münchener Bach-Orchester (founder Karl Richter) Musica Antiqua Köln (formerly Reinhard Goebel): baroque chamber ...
In music, the BACH motif is the motif, a succession of notes important or characteristic to a piece, B flat, A, C, B natural. In German musical nomenclature , in which the note B natural is named H and the B flat named B , it forms Johann Sebastian Bach 's family name .
Jan. 26—When the Saint Joseph Symphony was planning out its 2021-22 season, it wanted its Chamber Concerts to offer something different. The latest show will be something managing director Lori ...
With the harpsichord revival in the 20th century, harpsichordists commissioned new pieces for the new 'revival' instrument: Wanda Landowska commissioned concerti from Francis Poulenc and Manuel de Falla. Though the 'revival instruments' have now fallen out of favour, concerti continue to be written for harpsichord, though are now more likely to ...