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In 1913, Peruvian songwriter Daniel Alomía Robles composed "El Cóndor Pasa", and the song was first performed publicly at the Teatro Mazzi in Lima. [3] The song was originally a musical piece in the Peruvian zarzuela (musical play), El cóndor pasa. The zarzuela is written in prose and consists of one musical play and two acts.
Leslie Shaw performed the song on several television shows in Perú in order to promote it. One of the most notable performances was in the Peruvian television show Cinescape. [5] Leslie Shaw also performed the song on hispanic television shows in the United States including Despierta America. [6]
Susana Esther Baca de la Colina (Spanish pronunciation: [suˈsana ˈβaka]; born 24 May 1944 in Chorrillos, Lima Province, Peru) is a prominent Peruvian singer-songwriter, school teacher, folklorist, ethnomusicologist and three-time Latin Grammy Award winner.
El cóndor pasa is a Peruvian zarzuela (musical play) whose music was composed by Peruvian songwriter Daniel Alomía Robles in 1913 [1] with a script written by Julio de La Paz (pseudonym of the Peruvian dramatist Julio Baudouin). This zarzuela is written in prose and consists of one musical play and two acts.
Música criolla, Peruvian Creole music or canción criolla is a varied genre of Peruvian music that exhibits influences from European, African and Andean music. The genre's name reflects the coastal culture of Peru, and the local evolution of the term criollo, a word originally denoting high-status people of full Spanish ancestry, into a more socially inclusive element of the nation.
Daniel Alomía Robles was born in Huánuco, Peru, on January 3, 1871 [1] to Micaela Robles [2] and Marcial Alomía, a French immigrant. [3]Alomía Robles said in an interview in 1942 that his first exposure to music was when he was six years old when his mother took him to hear mass in Huánuco, and he began to sing along with the chorus. [4]
Peruvian cumbia is a subgenre of chicha (Andean tropical music) that became popular in the coastal cities of Peru, mainly in Lima in the 1960s through the fusion of local versions of the original Colombian genre, traditional highland huayno, and rock music, particularly surf rock and psychedelic rock. The term chicha is more frequently used for ...
The music video was released on the same day as the song on Maricarmen's official YouTube channel and reached over 100,000 views on its first day. [5] In the video, Maricarmen is at a party with her friends and family singing the song with them. While they sing, some people are having memories of loved ones who aren't with them anymore.