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Igor Stravinsky around 1925. Igor Stravinsky was a Russian composer, pianist, and conductor known for being one of the most important and influential figures in twentieth-century classical music. His unique approach to rhythm, instrumentation, and tonality made him a pivotal figure in modernist music. [1] [2] [3] [4]
Stravinsky wrote the symphony from 1942–45 on commission by the Philharmonic Symphony Society of New York. It was premièred by the New York Philharmonic Orchestra under Stravinsky on January 24, 1946. The Symphony in Three Movements is considered as Stravinsky's first major composition after emigrating to the United States. [1]
Stravinsky worked on the opening Nocturne in A-flat major and the closing Grande valse brillante; his reward was a much bigger commission, to write the music for a new ballet, The Firebird (L'oiseau de feu) for the 1910 season. [6] Stravinsky worked through the winter of 1909–10, in close association with Fokine who was choreographing The ...
Stravinsky himself regarded this ostinato as "the root idea of the whole symphony", a four-note set consisting of a sequence of "two minor thirds joined by a major third", and stated that it initiated in the trumpet–harp motive at the beginning of the allegro section of the third movement, which was composed first.
Stravinsky's revolutionary ideas influenced composers as diverse as Aaron Copland, Philip Glass, Béla Bartók, and Pierre Boulez, who were all challenged to innovate music in areas beyond tonality, especially rhythm and musical form. In 1998, Time magazine listed Stravinsky as one of the 100 most influential people of the century.
Stravinsky heard Jeux d'eau and several other works by Ravel no later than 1907 at the "Evenings for Contemporary Music" program. [9] Stravinsky used the chord repeatedly throughout the ballet Petrushka to represent the puppet and devised the chord to represent the puppet's mocking of the crowd at the Shrovetide Fair. [10]
The main trait of the fourth étude in F-sharp major, which is dedicated to Vladimir Rimsky-Korsakov , is its syncopation, present throughout the étude. [4] [5] Although much of this music is still derivative of Chopin, Scriabin, and Rachmaninoff, Stravinsky’s own voice asserts itself in the percussive final étude. [1] [4]
Oedipus rex is an opera-oratorio by Igor Stravinsky, scored for orchestra, speaker, soloists, and male chorus.The libretto, based on Sophocles's tragedy, was written by Jean Cocteau in French and then translated by Abbé Jean Daniélou into Latin; the narration, however, is performed in the language of the audience.
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