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Rosalía posted a preview of the video on 6 November 2019 on her social media with the caption "A Palé mañanaaaaaa". [5] A press release explained the song title, saying that it "takes its name from the nearly ubiquitous wooden shipping pallets Rosalía was surrounded by for years growing up in an area outside Barcelona dominated by trucking industry but the spirit of the song centers around ...
Cucurrucucú paloma" (Spanish for Coo-coo dove) is a Mexican huapango-style song written by Tomás Méndez in 1954. [1] The title is an onomatopeic reference to the characteristic call of the mourning dove, which is evoked in the refrain. The lyrics allude to love sickness.
Amor (Great Love Songs in Spanish) is an album by Eydie Gorme & The Trio Los Panchos. It was produced by Pete Rosaly and released in 1964 on the Columbia Records label. The album spent 22 weeks on the charts and included the hit single "Sabor a Mi". It was the best-selling album in Gorme's career. [1] [2]
The word "bichota" is a play-on-words, a feminine form of the Puerto Rican term "bichote". Pronounced with a slight Spanish accent; [4] specifically in the context of Puerto Rican underground culture, a "bichote" is a big-shot, a top-ranking member of a gang, a mobster, or "capo" ("boss" in Spanish).
Original file (1,275 × 1,650 pixels, file size: 2.32 MB, MIME type: application/pdf, 96 pages) This is a file from the Wikimedia Commons . Information from its description page there is shown below.
Sheet music from the 20th and 21st century typically indicates the title of the song or composition on a title page or cover, or on the top of the first page, if there is no title page or cover. If the song or piece is from a movie, Broadway musical, or opera, the title of the main work from which the song/piece is taken may be indicated.
The song "Que nadie sepa mi sufrir", was composed in 1936 by Ángel Cabral, with Spanish lyrics by Enrique Dizeo, both of Argentine origin, as a Peruvian waltz.Peruvian waltz, also known as vals criollo ("creole waltz"), was a popular genre in Hispanic America between the 1930s and 1950s, and the song, initially covered by Argentine singer Hugo del Carril, became a regional hit.
Siete Canciones populares Españolas ("Seven Spanish Folksongs") is a 1914 set of traditional Spanish songs arranged for soprano and piano by the composer Manuel de Falla. Besides being Falla's most-arranged composition and one of his most popular, it is one of the most frequently performed sets of Spanish-language art songs .