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In 2021, it was listed at #476 on Rolling Stone's "Top 500 Best Songs of All Time". [1] It also appeared on the author's own album Kristofferson. In a 2013 interview, Kristofferson said the song "opened up a whole lot of doors for me. So many people that I admired, admired it. Actually, it was the song that allowed me to quit working for a ...
"Sunday" is a 1926 song written by Chester Conn, with lyrics by Jule Styne, Bennie Krueger, and Ned Miller, which has become a jazz standard recorded by many artists.The tune has been fitted out to various lyrics, but best known in the original version of British-American songwriter Jule Styne: "I'm blue every Monday, thinking over Sunday, that one day that I'm with you"
"Come Sunday" is a piece by Duke Ellington, which became a jazz standard. It was written as a part of the first movement of a suite entitled Black, Brown and Beige . Ellington was engaged for a performance at Carnegie Hall on January 23, 1943, for which he wrote the entire composition (that whole concert was released in 1977 as The Carnegie ...
Here are 10 of his essential songs. The influential country music singer and songwriter died Saturday at 88. Here are 10 of his essential songs. ... “Sunday Mornin’ Comin’ Down” (1970)
Here are the best Easter songs to play all Sunday long. Find traditional hymns, popular Christian songs, contemporary worship tunes and fun sing-a-longs.
"Sunday Will Never Be the Same" is a 1967 song by the American band Spanky and Our Gang from their self-titled debut album. The single peaked at #9 on the Billboard Hot 100 [ 2 ] and #7 in the Canadian RPM Magazine charts. [ 3 ]
Many of the classic songs of the 1950s not only defined an era but also paved the way for today’s music. They have been sampled in contemporary songs or rerecorded by today’s artists ...
When the Cowboy Church Sunday School version is played at normal speed, the vocals sound unnaturally high. When played at 33⅓ rpm instead of 45 rpm the vocals sound more natural. The song was recorded at that speed, by Stuart Hamblen's wife and adult daughter, so that when played at 45 rpm the song sounds as if it is being sung by children.