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In works of art, literature, and narrative, a symbol is a concrete element like an object, character, image, situation, or action that suggests or hints at abstract, deeper, or non-literal meanings or ideas. [1] [2] The use of symbols artistically is symbolism. In literature, such as novels, plays, and poems, symbolism goes beyond just the ...
The Nightmare (1781), by Johann Heinrich Füssli, Detroit Institute of Arts, Detroit. Symbolism, understood as a means of expression of the "symbol", that is, of a type of content, whether written, sonorous or plastic, whose purpose is to transcend matter to signify a superior order of intangible elements, has always existed in art as a human manifestation, one of whose qualities has always ...
The term symbolism is derived from the word "symbol" which derives from the Latin symbolum, a symbol of faith, and symbolus, a sign of recognition, in turn from classical Greek σύμβολον symbolon, an object cut in half constituting a sign of recognition when the carriers were able to reassemble the two halves.
In art history, "an iconography" may also mean a particular depiction of a subject in terms of the content of the image, such as the number of figures used, their placing and gestures. The term is also used in many academic fields other than art history, for example semiotics, media studies, and archaeology, [1] and in general usage, for the ...
Representation has been associated with aesthetics (art) and semiotics (signs). Mitchell says "representation is an extremely elastic notion, which extends all the way from a stone representing a man to a novel representing the day in the life of several Dubliners". [1] The term 'representation' carries a range of meanings and interpretations.
Mark making is the interaction between the artist and the materials they are using. [1] It provides the viewer of the work with an image of what the artist had done to create the mark, reliving what the artist had done at the time. [1] Materiality is the choice of materials used and how it impacts the work of art and how the viewer perceives it ...
The Serrote do Letreiro petroglyphs aren’t the first examples of rock art found close to dinosaur prints, but the authors of the study said they believe that the unprecedented clarity of the ...
Piet Mondrian, Composition No. 10, 1939–1942, oil on canvas. Throughout 20th-century art historical discourse, critics and artists working within the reductive or pure strains of abstraction have often suggested that geometric abstraction represents the height of a non-objective art practice, which necessarily stresses or calls attention to the root plasticity and two-dimensionality of ...