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Shelley Jackson (born 1963) is an American writer and artist known for her cross-genre experimental works. These include her hyperfiction Patchwork Girl (1995) and her first novel, Half Life (2006).
The narrative is based on two books: Mary Shelley's Frankenstein and The Patchwork Girl of Oz by L. Frank Baum. The first draft was produced for a Brown University course taught by George Landow. [2] Jackson's work includes quotations from the novels of both Shelley and Baum, plus material from Jacques Derrida, Donna Haraway, and other writers. [8]
Half Life received mixed-to-positive reviews; Newsweek called it "brilliant and funny," [1] and The New York Times, while praising Jackson's ambition as "truly glorious," added that "All this razzle-dazzle, all the allusions, [and] the narrative loop-de-loops [get] a bit busy." [2] It won the 2006 James Tiptree, Jr. Award for science fiction ...
Scraps arguing with The Bear King in The Lost Princess of Oz. Scraps is a living rag doll made of patchwork, button eyes, brown yarn hair, a felt tongue, and pearl teeth.She was originally brought to life by a Munchkin magician named Dr. Pipt by means of his Powder of Life formula to be a servant for his wife Margolotte.
In her debut novel, Jenny Jackson gives readers a chance to see how the 1% lives without paying the price. All it takes is a jaunt down “Pineapple Street.”
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Like Mother Used to Make" is a short story by Shirley Jackson. It was originally published in the 1949 short story collection The Lottery and Other Stories by publisher Farrar, Straus and Giroux . It contains the second appearance of James Harris, a recurring character in the collection.
Audiences circulating among the creations: Crash Worship at Mustard, 1993. Photo by PoGo. After a decade of creative immersion in their neighborhood, the Immersionist community and its activist neighbors – Los Sures, El Puente, The People's Firehouse and Neighbors Against Garbage – catalyzed a renaissance that revived the district and its local businesses.