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"Anticonformity" is a Christian rock song written and sung by Christian rock/pop singer Krystal Meyers. It was composed by Krystal Meyers, Hannah Dwinell and Ian Eskelin, [1] [2] and appears on her self-titled debut album. [3] It rose to number one song in Japan in 2005, knocking the Red Hot Chili Peppers from that coveted position. [1]
The song was first released as the B-side to their single "Sunny Afternoon" but soon became a favourite and was often part of the Kinks live act. Ray Davies continues to play the song regularly and used the song as an opening number in his 2006-2008 solo live appearances. Cash Box said that it is a "rhythmic ode about a highly individual type ...
"Little Boxes" is a song written and composed by Malvina Reynolds in 1962. The song was first released by her friend, Pete Seeger, in 1963, and became his only charting single in January 1964. The song is a social satire [1] [2] [3] about the development of suburbia and associated conformist middle-class attitudes.
Bob Dylan songs such as "Blowin' in the Wind" and "The Times They Are a-Changin'" became anthems for the civil rights and anti-war movements in the 1960s. A protest song is a song that is associated with a movement for protest and social change and hence part of the broader category of topical songs (or songs connected to current events). It ...
Temperance songs are those musical compositions that were sung and performed to promote the Temperance Movement from the 1840s to the 1920s. It was a distinct genre of American music . In the early 19th century, the yearly per capita consumption of alcohol in the US was as high as 3.9 gallons (14.8 liters) in the 1830s. [ 2 ]
The song is based on Donna Deitch's 1985 film Desert Hearts, which is an adaptation of Rule's novel. [186] "Soma" Is This It: The Strokes: Brave New World: Aldous Huxley: Refers to the fictional drug used in Brave New World. [187] "Song For Clay" A Weekend in the City: Bloc Party: Less than Zero: Bret Easton Ellis [53] "The Stand (Prophecy ...
Political songs have been an important category of African popular music in many societies. During the continent's struggle against colonial rule, nationalistic songs boosted citizens' morale. These songs were based on Western marches and hymns reflecting the European education system that the early nationalistic leaders grew up in.
The song achieved enduring popularity, being sung until well after the apartheid government had collapsed by artists such as Makeba and Afrika Bambaataa. [4] [6] Protests songs became generally more popular during the 1950s, as a number of musicians began to voice explicit opposition to apartheid. "uDr.