Search results
Results from the WOW.Com Content Network
Frederick habitually signed buildings such as Santa Maria dell'Anima in Rome, [2] Burg Wiener Neustadt, or Graz Cathedral as well as his tableware and other objects with the vowel graphemes. [3] A.E.I.O.U. is also the motto of the Theresian Military Academy, established in 1751. [4]
A.E.I.O.U. is the second studio album by Polish pop/R&B/hip-hop group Sistars, released on September 26, 2005 through Warner Music Poland. [1]A.E.I.O.U. won the 2005 Fryderyk Award for Hip-Hop/R&B Album of the Year.
Kyoto Animation revealed the production of the second anime film of Sound! Euphonium franchise in March 2017. [2] The film would serve as a recap of the second season of the anime series Sound! Euphonium, similar to how the 2016 anime film Sound! Euphonium: The Movie – Welcome to the Kitauji High School Concert Band recapped the first season. [2]
"AEIOU" is a song by Australian electronic trio Pnau and electronic duo Empire of the Sun. It was released as a single from Pnau's album Hyperbolic on 13 October 2023 through Etcetc . [ 1 ] The song also appeared on Empire of the Sun's 2024 album Ask That God .
ĒBN-ŌZN (pronounced EEBEN-OHZEN) [1] was an American 1980s New York-based experimental new wave synth-pop duo, composed of Ned "Ebn" Liben (Fairlight CMI programming) and Robert "Ozn" Rosen, (sung vocals, rhymes, character voices).
Hyperbolic is the sixth studio album by Australian electronic trio Pnau, released on 22 March 2024 through etcetc. [2] Their first album in seven years since Changa (2017), it features collaborations with Empire of the Sun, Khalid, Kira Divine, Marques Toliver, Bebe Rexha, Ozuna, Troye Sivan, Ladyhawke, and Emily Wurramara.
Turistas (/ t u r iː s t ɔː s /; English: Tourists, released in the United Kingdom and Ireland as Paradise Lost) is a 2006 American horror film produced and directed by John Stockwell, written by Michael Arlen Ross, and starring Josh Duhamel, Melissa George, Olivia Wilde, Desmond Askew, Max Brown, and Beau Garrett.
The Los Angeles Daily News wrote a favorable review for the film, writing "N.C. Heikin's terrific music documentary interweaves a great concert by the late jazzman's admirers and acolytes at the Bay Area prison with a stirring history of both the L.A. music scene and mid-century, African American show business in general.