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The Tempestry Project is a collaborative fiber arts project that presents global warming data in visual form through knitted or crocheted artwork. The project is part of a larger "data art" movement and the developing field of climate change art, which seeks to exploit the human tendency to value personal experience over data by creating accessible experiential representations of the data.
Information art are manifested using a variety of data sources such as photographs, census data, video clips, search engine results, digital painting, network signals, and others. [8] Often, such data are transformed, analyzed, and interpreted in order to convey concepts and develop aesthetics.
Data presentation architecture weds the science of numbers, data and statistics in discovering valuable information from data and making it usable, relevant and actionable with the arts of data visualization, communications, organizational psychology and change management in order to provide business intelligence solutions with the data scope ...
In 2018, an auction sale of artificial intelligence art was held at Christie's in New York where the AI artwork Edmond de Belamy (a pun on Goodfellow's name) sold for US$432,500, which was almost 45 times higher than its estimate of US$7,000–10,000. The artwork was created by Obvious, a Paris-based collective.
Social media sites such as Facebook and Twitter have also allowed for individual infographics to be spread among many people around the world. Infographics are widely used in the age of short attention span. [citation needed] In newspapers, infographics are commonly used to show the weather, as well as maps, site plans, and graphs for summaries ...
Lupi's work has been influenced by data visualization and data art by Moritz Stefaner, Aaron Koblin and Jer Thorp. [4] What drives Lupi in her career is the overlapping space between intuition and analysis, between beauty and logic, numbers and images. [9] In 2014 Lupi began the Dear Data Project with Stefanie Posavec. [5]
More than 1,200 years ago, an unidentified Maya artist decorated an extraordinary, 16-inch circular ceramic plate, painting one half in flat, nearly black slip and the other a creamy off-white.
The native form of a fractal artwork is an image stored on a computer –this is also true of very nearly all equation art and of most recent algorithmic art in general. However, in a stricter sense "fractal art" is not considered algorithmic art, because the algorithm is not devised by the artist.