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The Birth of Tragedy Out of the Spirit of Music (German: Die Geburt der Tragödie aus dem Geiste der Musik) is an 1872 work of dramatic theory by the German philosopher Friedrich Nietzsche. It was reissued in 1886 as The Birth of Tragedy, Or: Hellenism and Pessimism ( German : Die Geburt der Tragödie, Oder: Griechentum und Pessimismus ).
Here Foucault referenced Nietzsche's description of the birth and death of tragedy and his explanation that the subsequent tragedy of the Western world was the refusal of the tragic and, with that, refusal of the sacred. [144] Painter Mark Rothko was influenced by Nietzsche's view of tragedy presented in The Birth of Tragedy.
in: 'The Birth of Tragedy and Other Writings', trans. Ronald Speirs, Cambridge University Press, 1999, ISBN 0-521-63987-5 (also contains: 'The Dionysiac World View' and 'On Truth and Lying in a Non-Moral Sense') in: 'The Birth of Tragedy and the Case of Wagner', trans. Walter Kaufmann, Vintage, 1967, ISBN 0-394-70369-3
The Apollonian and the Dionysian are philosophical and literary concepts represented by a duality between the figures of Apollo and Dionysus from Greek mythology.Its popularization is widely attributed to the work The Birth of Tragedy by Friedrich Nietzsche, though the terms had already been in use prior to this, [1] such as in the writings of poet Friedrich Hölderlin, historian Johann ...
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Greek tragedy (Ancient Greek: τραγῳδία, romanized: tragōidía) is one of the three principal theatrical genres from Ancient Greece and Greek-inhabited Anatolia, along with comedy and the satyr play.
Ecce homo, standard critical text published by Nietzsche Source; Ecce homo, Wie man wird, was man ist at Project Gutenberg (in original German) Ecce homo, abridged English text at archive.org (Ludovici translation) Nietzsche's Ecce homo, Notebooks and Letters: 1888–1889 / Translation by Daniel Fidel Ferrer (2023).
As a youth, Aeschylus worked at a vineyard until, according to the 2nd-century AD geographer Pausanias, the god Dionysus visited him in his sleep and commanded him to turn his attention to the nascent art of tragedy. [13] As soon as he woke, he began to write a tragedy, and his first performance took place in 499 BC, when he was 26 years old.
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