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Nadja (1928), the second book published by André Breton, is one of the iconic works of the French surrealist movement. It begins with the question "Who am I?It is based on Breton's actual interactions with a young woman, Nadja (actually Léona Camille Ghislaine Delacourt 1902–1941), [1] over the course of ten days, and is presumed to be a semi-autobiographical description of his ...
Jacques-André Boiffard (29 July 1902 – 22 July 1961) was a French photographer, born in Épernon in Eure-et-Loir. [1] He was a medical student in Paris until 1924 when he met André Breton through Pierre Naville, a Surrealist writer, and childhood friend.
The apartment on rue Fontaine (in the Pigalle district) became home to Breton's collection of more than 5,300 items: modern paintings, drawings, sculptures, photographs, books, art catalogs, journals, manuscripts, and works of popular and Oceanic art. Like his father, he was an atheist.
Salvador Dalí (1904–1989), Spanish surrealist painter; Christen Dalsgaard (1824–1907), Danish painter; Thomas Aquinas Daly (born 1937), American landscape and still life painter; Dietmar Damerau (1935–2011), German/Greek painter and sculptor; Ken Danby (1940–2007), Canadian artist and medalist; Vito D'Ancona (1825–1884), Italian artist
Media in category "Surrealist paintings" The following 8 files are in this category, out of 8 total. Carlo Carrà, 1918, L'Ovale delle Apparizioni (The Oval of Apparition), oil on canvas, 92 x 60 cm.jpg 736 × 1,143; 166 KB
Georges Alexandre Malkine (10 October 1898 – 22 March 1970) was the only visual artist named in André Breton's 1924 Surrealist Manifesto among those who, at the time of its publication, had “performed acts of absolute surrealism." [1] The rest Breton named were for the most part writers, including Louis Aragon, Robert Desnos, and Benjamin ...
In 1938 however, André Breton wanted to establish a framework for the surrealist art in the Beaux Arts Gallery, in which the presentation itself was surrealist art. [5] As a creative act it was to be a surreal experience, in which paintings and objects served as elements in a completely surrealist environment. [6]
Illustrations include works by Duchamp, Dalí, Hugo, Ernst, and Man Ray. The issue opens with ads for numerous surrealist books by Péret, Tzara, Breton, Dalí, and Crevel, as well as publications by Achim D'Arnim and Lautreamont. There is also promotion of a major exhibit of surrealist art. It was originally published in May 1933. [1]
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