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Nadja (1928), the second book published by André Breton, is one of the iconic works of the French surrealist movement. It begins with the question "Who am I?It is based on Breton's actual interactions with a young woman, Nadja (actually Léona Camille Ghislaine Delacourt 1902–1941), [1] over the course of ten days, and is presumed to be a semi-autobiographical description of his ...
Media in category "Surrealist paintings" The following 8 files are in this category, out of 8 total. Carlo Carrà, 1918, L'Ovale delle Apparizioni (The Oval of Apparition), oil on canvas, 92 x 60 cm.jpg 736 × 1,143; 166 KB
Jacques-André Boiffard (29 July 1902 – 22 July 1961) was a French photographer, born in Épernon in Eure-et-Loir. [1] He was a medical student in Paris until 1924 when he met André Breton through Pierre Naville, a Surrealist writer, and childhood friend.
The apartment on rue Fontaine (in the Pigalle district) became home to Breton's collection of more than 5,300 items: modern paintings, drawings, sculptures, photographs, books, art catalogs, journals, manuscripts, and works of popular and Oceanic art. Like his father, he was an atheist.
The Surrealist Manifesto refers to several publications by Yvan Goll and André Breton, leaders of rival surrealist groups. Goll and Breton both published manifestos in October 1924 titled Manifeste du surréalisme. Breton wrote a second manifesto in 1929, which was published the following year, and in 1942, a reflection or a commentary on the ...
Illustrations include works by Duchamp, Dalí, Hugo, Ernst, and Man Ray. The issue opens with ads for numerous surrealist books by Péret, Tzara, Breton, Dalí, and Crevel, as well as publications by Achim D'Arnim and Lautreamont. There is also promotion of a major exhibit of surrealist art. It was originally published in May 1933. [1]
Pierre Roy, Musée des Beaux-Arts de Nantes et Somogy éditions d'art, Paris, 1994.; Adam Biro and René Passeron, Dictionnaire général du surréalisme et de ses environs, Office du Livre, Fribourg, Switzerland and Presses universitaires de France, Paris, 1982, p. 370.
Because of an inheritance, they both could live comfortably. They exhibited art together at the San Francisco Museum of Modern Art, during August and September 1946. It was titled, "Painting by Jacqueline Lamba and Sculpture by David Hare". (Grimberg, p. 11) Together they had a son, Meredith Merlin Hare. (Grimberg, p. 11)
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