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The following is a list of works of sculpture, architecture, and painting by the Italian Baroque artist Gian Lorenzo Bernini. The numbering follows Rudolph Wittkower's Catalogue, published in 1966 in Gian Lorenzo Bernini: The Sculptor of the Roman Baroque. [1] [2] [3]
Gian Lorenzo Bernini - Biography, Style and Artworks; Extract on Bernini from Simon Schama's The Power of Art; Photographs of Bernini's Santa Maria Assunta; smARThistory: Ecstasy of Saint Teresa, Cornaro Chapel, Santa Maria della Vittoria, Rome Archived 13 April 2014 at the Wayback Machine
When Innocent acceded to the papal throne, he shunned Bernini's artistic services; the sculptor had been the favourite artist of the previous and profligate Barberini pope, Urban VIII. Without papal patronage, the services of Bernini's studio were therefore available to a patron such as the Venetian Cardinal Federico Cornaro (1579–1653).
The Goat Amalthea with the Infant Jupiter and a Faun is the earliest known work by the Italian artist Gian Lorenzo Bernini. Produced sometime between 1609 and 1615, [1] [2] [3] the sculpture is now in the Borghese Collection at the Galleria Borghese in Rome.
In 1620, Italian artist Gian Lorenzo Bernini sculpted the mattress upon which the statue now lies. The form is partly derived from ancient portrayals of Venus and other female nudes, and partly from contemporaneous feminised Hellenistic portrayals of Dionysus/Bacchus.
Two Busts of Cardinal Scipione Borghese are marble portrait sculptures executed by the Italian artist Gian Lorenzo Bernini in 1632. Cardinal Scipione Borghese was the nephew of Pope Paul V, and had commissioned other works from Bernini in the 1620s.
The Rape of Proserpina (Italian: Ratto di Proserpina), more accurately translated as The Abduction of Proserpina, [1] is a large Baroque marble group sculpture by Italian artist Gian Lorenzo Bernini, executed between 1621 and 1622, when Bernini's career was in its early stage.
Angel with the Superscription is a statue by Italian artist Gian Lorenzo Bernini. Originally commissioned by Pope Clement IX for the Ponte Sant'Angelo project, the statue was replaced with a copy and the original was moved to Sant'Andrea delle Fratte in Rome, Italy. The statue was started in 1667 and completed in 1669. [1]
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