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The Restoration spectacular, or elaborately staged machine play, hit the London public stage in the late 17th-century Restoration period, enthralling audiences with action, music, dance, moveable scenery, baroque illusionistic painting, gorgeous costumes, and special effects such as trapdoor tricks, "flying" actors, and fireworks. These shows ...
Restoration comedy is English comedy written and performed in the Restoration period of 1660–1710. Comedy of manners is used as a synonym for this. [1] After public stage performances were banned for 18 years by the Puritan regime, reopening of the theatres in 1660 marked a renaissance of English drama. [2]
The patent theatres were the theatres that were licensed to perform "spoken drama" after the Restoration of Charles II as King of England, Scotland and Ireland in 1660. Other theatres were prohibited from performing such "serious" drama, but were permitted to show comedy, pantomime or melodrama. Drama was also interspersed with singing or ...
Additionally, a fifteenth-century play of the life of Mary Magdalene, The Brome Abraham and Isaac and a sixteenth-century play of the Conversion of Saint Paul exist, all hailing from East Anglia. Besides the Middle English drama, there are three surviving plays in Cornish known as the Ordinalia. These biblical plays differ widely in content.
Heroic drama is a type of play popular during the Restoration era in England, distinguished by both its verse structure and its subject matter. [ 1 ] [ 2 ] The subgenre of heroic drama evolved through several works of the middle to later 1660s; John Dryden 's The Indian Emperour ( 1665 ) and Roger Boyle's The Black Prince ( 1667 ) were key ...
Hayden, Judy A. "From Caroline Tears to Carolean Laughter: Re-historicizing the Restoration of Charles II." English 49.194 (2000): 109–126. Miyoshi, Riki. "Thomas Killigrew's Early Managerial Career: Carolean Stage Rivalry in London, 1663–1668." Restoration and 18th Century Theatre Research 27.2 (2012): 13–89. Rothstein, Eric, and Frances ...
The Rehearsal was a satirical play aimed specifically at John Dryden and generally at the sententious and overly ambitious theatre of the Restoration tragedy.The play was first staged on 7 December 1671 at the Theatre Royal, and published anonymously in 1672, but it is certainly by George Villiers, 2nd Duke of Buckingham and others.
Sentimental comedy was a reaction to the bawdy restoration comedy of the 17th and 18th centuries. Many believed that the sexually explicit behavior encouraged by Charles II on the stage led to the demoralization of the English population outside the theater.