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The official association of status with the kanmuri in Japan began with the establishment of the Twelve Level Cap and Rank System in 603. In a description of Japan in the Book of Sui (636), it is written, "In the Sui Dynasty, that (Japanese) king created the system of crowns for the first time. The crowns were made of brocade or patterned cloth ...
An ōnusa, which is used in certain types of harae.. Harae stems from the myth of Susano-o, the brother of the Sun goddess Amaterasu.According to the myth, while Amaterasu was supervising the weaving of the garments of the gods in the pure weaving hall, Susano-o broke through the roof and let fall a heavenly horse which had been flayed.
Oni Mask [44] is a story where a young girl goes off to work at a ladies' house to make money for her ailing mother. She talks to a mask of her mother's face once she is done with her work to comfort herself. One day, the curious coworkers see the mask and decide to prank her by putting on an oni mask to replace the mother's mask.
' thosuand shrine tags ') – Votive slips, stickers or placards (and ofuda) posted on the gates or buildings of Shinto shrines and Buddhist temples in Japan. The stickers bear the name of the worshipper, and can be purchased pre-printed with common names at temples and shrines throughout Japan, as well as at stationery stores and video game ...
The name Fuke-shū does not appear before the 19th century, and the sect has never been officially acknowledged as a distinct Zen-school. The name is derived from the Kyotaku denki , [ 18 ] a text in classical Chinese that was published in 1795 together with a Japanese translation and commentary, the Kokuji Kai , [ 2 ] "to create a legitimate ...
The white robe (白衣, hakue, byakue, shiraginu) worn on the upper body is a white kosode, with sleeves similar in length to those of a tomesode. [3] Originally, kosode sleeves were underwear to be worn under daily clothing, but gradually became acceptable outerwear between the end of the Heian period and the Kamakura period [4] The red collar sometimes seen around the neck is a decorative ...
Onryō are used as subjects in various traditional Japanese performing arts such as Noh, Kabuki, and Rakugo; for example, hannya is a Noh mask representing a female onryō. [5] The Japanese people's reverence for onryō has been passed down to the present day.
A miko (), or shrine maiden, [1] [2] is a young priestess [3] who works at a Shinto shrine. Miko were once likely seen as shamans, [4] but are understood in modern Japanese culture to be an institutionalized [5] role in daily life, trained to perform tasks, ranging from sacred cleansing [4] to performing the sacred Kagura dance.