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Synthetic ultramarine is a more vivid blue than natural ultramarine, since the particles in synthetic ultramarine are smaller and more uniform than the particles in natural ultramarine and therefore diffuse light more evenly. [23] Its color is unaffected by light nor by contact with oil or lime as used in painting.
YInMn Blue is an inorganic pigment with an intense blue color that was discovered by Mas Subramanian and his graduate student, Andrew Smith, at Oregon State University in 2009. [20] [21] It has been used in water, oil, and acrylic paints from paint vendors. The name "YInMn" comes from the chemical symbols for yttrium, indium and manganese. The ...
"International Klein Blue" (IKB) is a process registered in France on 19 May 1960 at the Institut national de la propriété industrielle (INPI) under Soleau envelope no. 63471 by the French artist Yves Klein. It combines ultramarine blue pigment with a specific binder created with the help of a chemist. By law, no one can appropriate a colour.
Payne's grey is a dark blue-grey colour used in painting. Originally a mixture of iron blue (Prussian blue), yellow ochre and crimson lake, [3] Payne's grey now is often a mixture of blue (ultramarine, phthalocyanine, or indigo) and black, [4] [5] or of ultramarine and burnt sienna.
Ultramarine pigment, for instance, was much darker when used in oil painting than when used in tempera paintings or in frescoes. To balance their colors, Renaissance artists like Raphael added white to lighten the ultramarine. The sombre dark blue robe of the Virgin Mary became a brilliant sky blue. [36]
This tradition can trace its origin to the Byzantine Empire, from circa 500 AD, where blue was "the color of an empress". A more practical explanation for the use of this color is that in Medieval and Renaissance Europe, the blue pigment was derived from the rock lapis lazuli, a stone imported from Afghanistan of greater value than gold. Beyond ...
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