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Prints out of the Fifty-three Stations of the Tōkaidō as Potted Landscapes depicting Bonkei, by Utagawa Yoshishige (1848). A bonkei (盆景, Japanese for "tray landscape") [1]: 15–19 is a temporary or permanent three-dimensional depiction of a landscape in miniature, portrayed using mainly dry materials like rock, papier-mâché or cement mixtures, and sand in a shallow tray.
Unlike many common plant containers, bonsai pots have drainage holes at the bottom surface to complement fast-draining bonsai soil, allowing excess water to escape the pot. Growers cover the holes with a screening to prevent soil from falling out and to hinder pests from entering the pots from below.
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Pots exported from China between 1816 and 1911 (especially the late 19th century) were called nakawatari or chūwatari (both meaning "middle-crossing"), shallow rectangular or oval stoneware with carved feet and drainage holes. Unglazed pots of this type were used at ancestral shrines and treasured by the Chinese.
The grower can move an outdoor bonsai from a pot to a training box or to open ground to stimulate this sort of growth. Replacing the tree in a bonsai pot will slow or halt the tree's growth, and may lead to die-back if the volume of foliage is too great for the limited root system to support.
Trees, soil, and rocks form a miniature living landscape. Saikei (栽景) literally translates as "planted landscape". [1] [2]: 228 Saikei is a descendant of the Japanese arts of bonsai, bonseki, and bonkei, and is related less directly to similar miniature-landscape arts like the Chinese penjing and the Vietnamese hòn non bộ.
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