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Mellers points out that the song's mood of isolation is intensified by the "bare, open fifths" played by the piano and by the silences incorporated into the sad melody. [4] He also notes that the pain communicated by the song is enhanced by the dissonances in the music, particularly the use of semitone intervals. [4]
Triads (or any other tertian chords) are built by superimposing every other note of a diatonic scale (e.g., standard major or minor scale). For example, a C major triad uses the notes C–E–G. This spells a triad by skipping over D and F. While the interval from each note to the one above it is a third, the quality of those thirds varies ...
A chord may also have chromatic notes, that is, notes outside of the diatonic scale. Perhaps the most basic chromatic alteration in simple folk songs is the raised fourth degree (♯) that results when the third of the ii chord is raised one semitone. Such a chord typically functions as the secondary dominant of the V chord (V/V).
Notes played in succession form a melodic interval; notes played simultaneously form a harmonic interval. Dyads can be classified by the interval between the notes. [ 2 ] For example, the interval between C and E (four half steps) is a major third , which can imply a C major chord , made up of the notes C, E and G. [ 3 ]
The scheme I-x-V-I symbolizes, though naturally in a very summarizing way, the harmonic course of any composition of the Classical period.This x, usually appearing as a progression of chords, as a whole series, constitutes, as it were, the actual "music" within the scheme, which through the annexed formula V-I, is made into a unit, a group, or even a whole piece.
No One Cares is the seventeenth studio album by Frank Sinatra, released on July 20, 1959.It is generally considered a sequel to Sinatra's 1957 album Where Are You? (also arranged by Gordon Jenkins), and shares a similar sad and lonesome, gloomy theme and concept as In the Wee Small Hours and Only the Lonely (both arranged by Nelson Riddle).
The B-side "Cold Lady" was written by drummer Jerry Shirley in a R&B style and Shirley plays Wurlitzer piano and guitarist Peter Frampton plays the drums. [ 2 ] Although released in a number of European countries, including West Germany and the Netherlands, it was not made available in the United Kingdom or other worldwide territories.
Kopit explained: "I had been writing short stories, and I was having a lot of trouble with the narrative point of view. When I wrote a play, I found that I lost myself as Arthur Kopit and I just wrote down what the characters said. I wasn’t anywhere in the play, and I liked that. In my fiction I was everywhere, and I didn’t like that." [2]
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