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It was a brightly lit room with white-painted oak panelling and tile floors. Along the wall opposite the entrance was a carved oak installation with an illustrated cutaway of an Olympic -class ocean liner and a map depicting the travel routes of the White Star Line throughout the world.
The same techniques were introduced into Portugal by King Manuel I after a visit to Seville in 1503. They were applied on walls and used for paving floors, such as can be seen in several rooms, and especially the Arab Room of the Sintra National Palace (including the famous cuenca tiles with the
Thinking about the unstoppable flow of time and how it changes everything in its path can be unsettling. People have no choice but to grow old, and non-living things get worn down just the same.
The destrictarium (4) (room for preparing before, and cleaning after, gymnastic exercise) adjoining the nymphaeum (5) in the southwest corner of the palaestra has an exterior wall covered with elaborate stucco decoration, once brightly painted. On the left side of the palaestra is a bowling alley (3) with 9 tracks where 2 stone bowling balls ...
Saltillo tiles vary in color and shape, but the majority of Traditional Saltillo tiles range in varying hues of reds, oranges, and yellows. [3] Manganese Saltillo tile has light and dark brown colors with some terracotta tones. Antique Saltillo [4] tile is a hand-textured finished with deep terracotta tones of color. With its textured surface ...
Printed Tile Art. Tile art is a small arrangement of tiles, or in some cases a single tile, with a painted pattern or image on top. Tile art includes other forms of tile-based art, such as mosaics, micromosaics, and stained glass. [1] Unlike mosaics, tile art can include larger pieces of tiles that are pre-decorated.
These tiles, generally produced in the Qallalin district of Tunis, are painted with motifs of vases, plants, and arches and use predominant blue, green, and ochre-like yellow colours which distinguish them from contemporary Ottoman tiles. [2]: 223–224 The artistic height of these tiles was in the 17th and 18th centuries. [23]
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