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The Willow pattern is a distinctive and elaborate chinoiserie pattern used on ceramic tableware. It became popular at the end of the 18th century in England when, in its standard form, it was developed by English ceramic artists combining and adapting motifs inspired by fashionable hand-painted blue-and-white wares imported from Qing dynasty ...
'Blue flowers/patterns') covers a wide range of white pottery and porcelain decorated under the glaze with a blue pigment, generally cobalt oxide. The decoration was commonly applied by hand, originally by brush painting, but nowadays by stencilling or by transfer-printing , though other methods of application have also been used.
A 20th century version of The Willow Pattern, a typical Staffordshire Potteries product in blue and white transfer printed earthenware. Thomas Minton (1765–1836) was an English potter . He founded Thomas Minton & Sons in Stoke-on-Trent , Staffordshire , which grew into a major ceramic manufacturing company with an international reputation.
Chinoiserie entered European art and decoration in the mid-to-late 17th century; the work of Athanasius Kircher influenced the study of Orientalism.The popularity of chinoiserie peaked around the middle of the 18th century when it was associated with the Rococo style and with works by François Boucher, Thomas Chippendale, and Jean-Baptist Pillement.
This trend continued in Transitional porcelain, produced for a period up to 1683 at the end of the Ming dynasty, and the later blue and white wares of the Kangxi reign are the final phase in the artistic development of blue and white, with superb technical quality in the best objects, and larger images, flexibly treated, on a wide variety of ...
"Hughes-type" tea caddy, chinoiserie decoration, c. 1760. Many pieces are in a pattern, itself derived from Chinese models, known as "Redgrave" (after a family with several workers at the factory), with paeonies and rocks. [13] This exists in several types, some with their own names such as "House pattern" and "Two-Bird pattern".
Chinese blue and white porcelain of this time could be associated with floral designs and animals, whereas 14th century Iranian porcelain contains geometric motifs and symmetrical arrangement. Timurid blue and white ware of the late 14th and early 15th centuries display many more similarities between these Islamic ceramics and Chinese porcelain ...
Polychrome brickwork is a style of architectural brickwork which emerged in the 1860s and used bricks of different colours (brown, cream, yellow, red, blue, and black) in patterned combinations to highlight architectural features. These patterns were made around window arches or were just applied on walls.