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"In The Bazaars of Hyderabad" is a poem by Indian Romanticism and Lyric poet Sarojini Naidu (1879–1949). The work was composed and published in her anthology The Bird of Time (1912)—which included "Bangle-sellers" and "The Bird of Time", it is Naidu's second publication and most strongly nationalist book of poems, published from both London and New York City.
Telugu literature includes poetry, short stories, novels, plays, and other works composed in Telugu. There is some indication that Telugu literature dates at least to the middle of the first millennium. The earliest extant works are from the 11th century when the Mahabharata was first translated to Telugu from Sanskrit by Nannaya.
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The poems of Udayasri will live in Telugu Literature as long as Telugu is spoken in this land, and as long as Krishna, Godavari, Tungabadra and Suvarnamukhi rivers flow in this land. - Dr. Nanduri Rama Krishnamacharyulu Karunasri is the only poet who reflects the pulse of the Telugu people in his poetry after the great Bammera Potana.
49. One who is beneficial is a kinsman though he is a stranger. One who is harmful is an enemy though he is a kinsman. When one is seriously sick, herbs from distant forest are used as medicine. 50. The knowledge confined to books, wealth that is in the custody of others and a son who has gone to foreign countries are useful in name only. 51.
It is not easy to trace out the origins of the Telugu folk literature, for that matter any folk literature.It is as difficult as tracing the origin of a language. In other words, one can argue that the origin and existence of any folk literature can be a parallel phenomenon along with that language, because the folk expressive traditions of any ethnic group are much earlier than the language ...
Mahakavi Nandi Thimmana (Telugu: నంది తిమ్మన; c. 15th and 16th centuries CE) was a Telugu poet and an Ashtadiggaja in the imperial court of Emperor Krishnadevaraya of Vijayanagara. He is often called Mukku Thimmana (lit. ' Thimmana of the nose ') after his celebrated poem on a woman's nose.
The art form was developed particularly by Telugu poets in medieval times. [1] It involves the partial improvisation of poems using specific themes, metres, forms, or words. [2] There is a tradition of mentoring in Avadhanam. The best avadhanis have contributed to the oeuvres of Telugu and Kannada poetry.