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Mohiniyattam dancers must be able to coordinate all three elements of dance. This is to create a harmonious and expressive performance. Abhinaya: Abhinaya is the art of facial expression and hand gestures in Indian classical dance. Mohiniyattam dancers use abhinaya to convey the emotions and meaning of the dance.
One of the most striking features of Indian classical dance and dances of Thailand, [1] Cambodia, Laos, Myanmar and the Malay world is the use of hand gestures. Speaking in dance via gestures in order to convey outer events or things visually is what mudras do. To convey inner feelings, two classifications of mudras (hand or finger gesture) are ...
The theory of rasas still forms the aesthetic underpinning of all Indian classical dance and theatre, such as Bharatanatyam, kathak, Kuchipudi, Odissi, Manipuri, Kudiyattam, Kathakali and others. Expressing rasa in classical Indian dance form is referred to as rasa-abhinaya. The Nātyasāstra carefully delineates the bhavas used to create each ...
Dance in India include classical (above), semiclassical, folk and tribal. Dance in India comprises numerous styles of dances, generally classified as classical or folk. [1] As with other aspects of Indian culture, different forms of dances originated in different parts of India, developed according to the local traditions and also imbibed elements from other parts of the country.
Indian classical dance, or Shastriya Nritya, is an umbrella term for different regionally-specific Indian classical dance traditions, rooted in predominantly Hindu musical theatre performance, [1] [2] [3] the theory and practice of which can be traced to the Sanskrit text Natya Shastra.
Over the years, the interest in Garba has only increased. There is a huge interest in Garba among the youth of India and in particular, the Gujarati diaspora. Traditionally, this dance is performed in concentric circles and the entire group performs once step in sync, with the beat starting slow and slowly catching on speed.
The theory of rasas forms the aesthetic underpinning of all Indian classical dance and theatre, such as Bharatanatyam, Kathakali, Kathak, Kuchipudi, Odissi, Manipuri, Kudiyattam, and others. [8] In Indian classical music, each raga is an inspired creation for a specific mood, where the musician or ensemble creates the rasa in the listener. [12]
Nritya is broadly categorized as one of three parts of Sangita, the other two being gita (vocal music, song) and vadya (instrumental music). [3] [4] [5] These ideas appear in the Vedic literature of Hinduism such as the Aitareya Brahmana, and in early post-Vedic era Sanskrit texts such as the Natya Shastra, Panchatantra, Malvikagnimitra and Kathasaritsagara.