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The most basic is the difference between tú (vos in areas with voseo) and usted: tú or vos is the "familiar" form, and usted, derived from the third-person form "your grace" (vuestra merced), is the "polite" form. The appropriate usage of those forms is fundamental to interpersonal communication.
Similarly, the participle agrees with the subject when it is used with ser to form the "true" passive voice (e.g. La carta fue escrita ayer 'The letter was written [got written] yesterday.'), and also when it is used with estar to form a "passive of result", or stative passive (as in La carta ya está escrita 'The letter is already written.').
In English, the sentence "The boy is boring" uses a different adjective than "The boy is bored". In Spanish, the difference is made by the choice of ser or estar. El chico es aburrido uses ser to express a permanent trait ("The boy is boring"). El chico está aburrido uses estar to express a temporary state of mind ("The boy is bored").
The Spanish copulas are ser and estar.The latter developed as follows: stare → *estare → estar. The copula ser developed from two Latin verbs. Thus its inflectional paradigm is a combination: most of it derives from svm (to be) but the present subjunctive appears to come from sedeo (to sit) via the Old Spanish verb seer.
The two subjunctives have their origins in Latin; from the past perfect indicative came the -ra form, and from the past perfect subjunctive came the -se form. [62] Both subjunctives are found in Spain, but the -se one is almost extinct or much rarer in Latin America, where it is seen as a characteristic of the Spanish of Spain; Latin American ...
Cuban Spanish is the variety of the Spanish language as it is spoken in Cuba.As a Caribbean variety of Spanish, Cuban Spanish shares a number of features with nearby varieties, including coda weakening and neutralization, non-inversion of Wh-questions, and a lower rate of dropping of subject pronouns compared to other Spanish varieties.
A Mexican fandango from the 19th century. In the image a china woman can be seen dancing with her characteristic fine attire, to the sound of a harp.. The fashion design of the china poblana dress is attributed to Catarina de San Juan, although it certainly incorporates elements from the diverse cultures that were mixed in New Spain during three centuries of Spanish rule.
Ustedes los ricos (You the Rich) is a 1948 Mexican film. The film is the second in a trilogy produced during the Golden Age of Mexican cinema , starting with Nosotros los Pobres (We the Poor) earlier in 1948 and followed by Pepe the Bull (Pepe, el toro) in 1953.
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