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The use of movie cameras had an upsurge in popularity in the immediate post-war period giving rise to the creation of home movies. Compared to the pre-war models, these cameras were small, light, fairly sophisticated and affordable. An extremely compact 35 mm movie camera Kinamo was designed by Emanuel Goldberg for amateur and semi-professional ...
A digital movie camera for digital cinematography is a motion picture camera that captures footage digitally rather than physical film, known as film stock. Different digital movie cameras output a variety of different acquisition formats. Cameras designed for domestic use have also been used for low-budget independent productions. Since the ...
Akeley Motion Picture Camera is a black and white photograph taken by Paul Strand in 1922. It depicts the innovative motion picture camera that the American photographer bought for $2500 and that allowed him to work in the film industry as a cinematographer, until 1931, when the camera became obsolete. Strand took several pictures of the camera ...
In June 1999, George Lucas announced that Episode II of the Star Wars Prequel Trilogy would be the first major motion picture to be shot 100% digitally. Sony and Panavision had teamed up to develop the High Definition 24p camera that Lucas would use to accomplish this, and thus the first CineAlta camera was born: the Sony HDW-F900 (also called the Panavision HD-900F after being "panavised").
The Coronet Cadet - a similar camera to the Flashmaster, without flash synchronization. [1] The Coronet Clipper - a folding camera. The Coronet Rapide - a folding camera. The Coronet Rex - a box camera taking 6x9cm format pictures on 120 film. The Coronet Twelve-20 - a box camera taking 6x6 cm format pictures on 120 film and 620 film. There ...
Category for manufacturers of movie cameras (for motion pictures) Subcategories. This category has the following 2 subcategories, out of 2 total. J. JVCKenwood (2 C ...
Half-frame cameras, also called single-frame or split-frame cameras, are film cameras compatible with 35mm film types. These cameras capture congruent shots that take up half of each individual frame in the roll of film. They can be still frame or motion picture cameras and are the standard format of 35mm movie cameras.
The design of the AF100’s 4/3" type sensor affords depth of field and field of view similar to that of 35mm movie cameras in a less expensive camera body. Equipped with an interchangeable lens mount, the AF100 can utilize an array of low-cost, widely available still camera lenses as well as film-style lenses with fixed focal lengths and primes.
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