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Wuxing painting is a style of Chinese painting that draws inspiration from the philosophical concept of the "five phases/elements" . Specifically, it combines the use of Chinese freehand brush work techniques and the metaphysics of the five wuxing elements. [ 1 ]
Freehand brush work is a genre of Chinese traditional painting which includes poem, calligraphy, painting and seal. In Chinese called Hsieh yi (traditional Chinese: 寫意; simplified Chinese: 写意; pinyin: Xiěyì), which literally means "writing ideas". [1] It was formed in a long period of artistic activities and promoted by the literati.
Shan shui painting is a kind of painting which goes against the common definition of what a painting is. Shan shui painting refutes color, light and shadow and personal brush work. Shan shui painting is not an open window for the viewer's eye, it is an object for the viewer's mind. Shan shui painting is more like a vehicle of philosophy. [6]
Chinese Painting. Geneva: Albert Skira, 1960. Fong, Wen (1973). Sung and Yuan paintings. New York: The Metropolitan Museum of Art. ISBN 978-0870990847. Fully online from the MMA; Liu, Shi-yee (2007). Straddling East and West: Lin Yutang, a modern literatus: the Lin Yutang family collection of Chinese painting and calligraphy. New York: The ...
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Manual of the Mustard Seed Garden (芥子園畫傳, Jieziyuan Huazhuan), sometimes known as Jieziyuan Huapu (芥子園畫譜), is a printed manual of Chinese painting compiled during the early-Qing Dynasty. Many renowned later Chinese painters, like Qi Baishi, began their drawing lessons with the manual.
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The Lingnan School (traditional Chinese: 嶺南畫派; simplified Chinese: 岭南画派; pinyin: Lǐngnán huà pài) was an art movement active in the late Qing dynasty and Republic of China that sought to modernize Chinese painting through borrowing from other artistic traditions.