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Oboe Concerto (Vaughan Williams): Scores at the International Music Score Library Project; Mark Satola. Ralph Vaughan Williams: Oboe Concerto in A minor at AllMusic; Program notes Archived 8 February 2008 at the Wayback Machine by Jason Sundram; Program notes by David Hoose (archive from 20 March 2012, accessed 28 April 2016)
The most famous piece from Albinoni's Opus 9 is the Concerto in D minor for oboe (Opus 9, Number 2). It is known for its slow movement. This concerto is probably the second best-known work of Albinoni after the Adagio in G minor (which was once believed to be a reconstruction based on a fragment by Albinoni).
A number of concertos and concertante works have been written for cor anglais (English horn) and string, wind, chamber, or full orchestra.. English horn concertos appeared about a century later than oboe solo pieces, mostly because until halfway through the 18th century different instruments (the taille de hautbois, vox humana and the oboe da caccia) had the role of the tenor or alto ...
A number of concertos (as well as non-concerto works) have been written for the oboe, both as a solo instrument as well as in conjunction with other solo instrument(s), and accompanied by string orchestra, chamber orchestra, full orchestra, concert band, or similar large ensemble. These include concertos by the following composers:
The Oboe Concerto in D minor, S D935, is an early 18th-century concerto for oboe, strings and continuo attributed to the Venetian composer Alessandro Marcello. The earliest extant manuscript containing Johann Sebastian Bach 's solo keyboard arrangement of the concerto, BWV 974, dates from around 1715.
Piano Concerto No. 3 in C minor, Per Aspera ad Astra, Op. 32 (1927) Russian Rhapsody; Dmitry Bortniansky. Piano Concerto in C major; Henriëtte Bosmans. Concertino for Piano and Orchestra (1928) York Bowen. Piano Concerto No. 1 in E-flat Op. 11 (1903) Piano Concerto No. 2 in D minor ("Concertstück") Op. 17 (1905)
Bellini's teacher, Niccolò Antonio Zingarelli. [2]The concerto has often been noted for its operatic qualities and the usage of bel canto themes in the solo oboe part. Valeria Lucentini, in an introduction to an edition of the piece, wrote, "Bellini devolves the lively and intense expressiveness of vocal music to the cantab
The beginning of the concerto. The Oboe Concerto No. 3 in G minor (HWV 287) was composed by George Frideric Handel for oboe, orchestra and basso continuo, possibly in 1704-1705, [1] when he was still in Hamburg. It was first published in Leipzig in 1863 (from unknown sources) in which it was described as a work from 1703. No other source for ...
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