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Jupiters Darling is the thirteenth studio album by American rock band Heart, released on June 22, 2004, by Sovereign Artists.Sovereign Artist's marketing director, Paul Angles, simultaneously released their album via file sharing networks, [8] which were included in an amicus curiae brief to the US Supreme Court. [9]
Great conjunctions attracted considerable attention in the past as omens. During the late Middle Ages and Renaissance they were a topic broached by the pre-scientific and transitional astronomer-astrologers of the period up to the time of Tycho Brahe and Johannes Kepler, by scholastic thinkers such as Roger Bacon [3] and Pierre d'Ailly, [4] and they are mentioned in popular and literary works ...
The song is a reflection in three verses on observed events ("Across the evening sky all the birds are leaving"). [5] Denny writes that she does not count time ("Before the winter's fire, I will still be dreamin'; I have no thought of time" [6]) and in the last line of the short chorus asks rhetorically, "Who knows where the time goes?".
Drops of Jupiter is the second studio album by American pop rock band Train, released on March 27, 2001. The album's title is derived from "Drops of Jupiter (Tell Me)", its lead single, which was a hit internationally and won the Grammy Award for Best Rock Song. The album contains elements of rock, country and indie rock. Besides "Drops of ...
Mars and Jupiter are cozying up in the night sky for their closest rendezvous this decade. In reality, our solar system’s biggest planet and its dimmer, reddish neighbor will be more than 350 ...
Ukulele Songs is the second solo studio album by American singer and Pearl Jam frontman Eddie Vedder. It was released on May 31, 2011. [ 1 ] The album is composed of original songs and new arrangements of several standards.
The song is characterized by a signature pattern played on a ukulele, [4] that follows a basic E 5 – B – C#m – A (I 5 – V – vi – IV) progression in the verse, tag and bridge, switching to an A – B – E 5 – B (IV – V – I 5 – V) progression in the chorus. The song's chord structure is arranged in an A B A B A B A form.
From there, the second theme group begins with a lyrical section in G major which ends suspended on a seventh chord and is followed by a stormy section in C minor. Following a full stop, the expositional coda begins which quotes Mozart's insertion aria "Un bacio di mano", K. 541 and then ends the exposition on a series of fanfares.
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