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In contrast to the minimal chord changes over the verses, the choruses present a fast progression of chords [32] – specifically, E, Bm 7, G, C ♯ 7 and F ♯ 7. [47] In the first chorus, [46] Harrison comments that, given the inadequacy of his publishing arrangement, "It doesn't really matter what chords I play".
Approach chord; Chord names and symbols (popular music) Chromatic mediant; Common chord (music) Diatonic function; Eleventh chord; Extended chord; Jazz chord; Lead sheet; List of musical intervals; List of pitch intervals; List of musical scales and modes; List of set classes; Ninth chord; Open chord; Passing chord; Primary triad; Quartal chord ...
AllMusic critic Ritchie Unterberger said that "No Matter What" "boasted a strong McCartney-esque melody and very Beatlesque vocal harmony and guitars but felt that "derivative of McCartney it might have been, yet 'No Matter What' rocked a darn sight better than most of the songs McCartney himself put out in the early '70s." [2]
"No Matter What" (Calum Scott song), 2018 "No Matter What" (George Lamond and Brenda K. Starr song), 1990 "No Matter What" (T.I. song), 2008 "No Matter What" (Ryan Stevenson song), 2018 "No Matter What", a song by Aretha Franklin (feat. Mary J. Blige) from So Damn Happy "No Matter What", a song by Jeremy Camp from Beyond Measure "No Matter What ...
This media depicts a chord outside of a specific musical context. Chords consist of an unordered collection of pitches outside of time (no " distinctiveness "), may be used in compositions by multiple composers ("common material"), and may not be readily apparent in compositions.
Say No More is the ninth studio album recorded by British rock band Badfinger that contained new material. Issued in January 1981 on Radio Records, the LP was the second and last reunion by Tom Evans and Joey Molland , after the suicide of band founder Pete Ham in 1975.
In jazz music, on the other hand, such chords are extremely common, and in this setting the mystic chord can be viewed simply as a C 13 ♯ 11 chord with the fifth omitted. In the score to the right is an example of a Duke Ellington composition that uses a different voicing of this chord at the end of the second bar, played on E (E 13 ♯ 11).
In music, an augmented major seventh chord or major seventh sharp five chord is a seventh chord composed of a root, major third, augmented fifth, and major seventh (1, 3, ♯ 5, 7). It can be viewed as an augmented triad with an additional major seventh. When using popular-music symbols, it is denoted by e.g. + Δ 7.