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Media in category "Paintings in the Buffalo AKG Art Museum" The following 2 files are in this category, out of 2 total. Giacomo Balla, 1912, Dinamismo di un Cane al Guinzaglio (Dynamism of a Dog on a Leash), Albright-Knox Art Gallery.jpg 2,312 × 1,974; 2.35 MB
The largest collection of Burchfield's paintings, archives and journals are in the collection of the Burchfield Penney Art Center in Buffalo. His paintings are in the collections of more than 109 museums in the USA and have been the subject of exhibitions at the Metropolitan Museum of Art, the Whitney Museum of American Art, the Hammer Museum ...
Sketch for "The Last of the Buffalo" 1888? Oil on board: 37.5 cm × 48.3 cm (14.8 in × 19.0 in) Whitney Gallery of Western Art, Buffalo Bill Historical Center, Cody, WY: Study for "The Last of the Buffalo" 1888? Oil on canvas
Albert Bierstadt (January 7, 1830 – February 18, 1902) was a German American painter best known for his lavish, sweeping landscapes of the American West.He joined several journeys of the Westward Expansion to paint the scenes.
Corcoran Gallery of Art via Web archive National Gallery of Art, Washington, D. C., online collection. RKDimages, Art-work number 221117: Source/Photographer: 1. Photograph Own work user:Daderot, Taken in 15 June 2012, 09:39:20 2. higher res: Other versions
In 2014, art critic Robert C. Morgan declared Dynamism of a Dog on a Leash, along with Gino Severini's paintings Blue Dancer and Dynamic Hieroglyphic of the Bal Tabarin, to be "probably the most elegant and accurate works ever painted in the Futurist tradition." He credits these works with "moving status into kinesis, stillness into motion, and ...
It is the first art museum designed by this association of architects in the United States. [10] Doubleline CEO and Buffalo native Jeffrey Gundlach pledged $42.5 million to the project, while businesses, foundations, government groups, and individuals promised matching funds toward a $125 million goal. [4] Another 20 million came from New York ...
Karl Ferdinand Wimar (also known as Charles Wimar and Carl Wimar; 20 February 1828 – 28 November 1862), was a German-American painter who concentrated on Native Americans in the West and the great herds of buffalo. Abduction of Boone's Daughter, 1855–56, detail, Amon Carter Museum of American Art