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The one who comprehends Gurbani is also described as an Amritdhari. Gurbani is a source of truth with which the internal filth and sins get eradicated and one who find Gurbani sweet is in supreme state. Extracts from Guru Granth Sahib are called Gutkas (ਗੁਟਕਾ; meaning small books) containing sections of Gurbani. These Gutkas can vary ...
The term Hazuri Ragi, also spelt as a Hazoori Ragi ("designated cantor" [3]) is a title that refers to a ragi who serve at the Golden Temple in Amritsar who can perform shabad hymns as per their traditionally prescribed raag as designated by the Guru Granth Sahib. [4] [2] The title is often appended to the names these ragis. [2]
The Guru Granth Sahib (Punjabi: ਗੁਰੂ ਗ੍ਰੰਥ ਸਾਹਿਬ, pronounced [ɡʊɾuː ɡɾənt̪ʰᵊ säː(ɦ)(ɪ)bᵊ(˦)]) is the central holy religious scripture of Sikhism, regarded by Sikhs as the final, sovereign and eternal Guru following the lineage of the ten human gurus of the religion.
Ragmala, alternatively spelt as Raagmala or Ragamala (Punjabi: ਰਾਗਮਾਲਾ (); pronounced rāgmālā,) is a composition of twelve verses (sixty lines) that names various raga.
The Guru Granth Sahib (Punjabi: ਗੁਰੂ ਗ੍ਰੰਥ ਸਾਹਿਬ; [ɡʊɾuː ɡɾəntʰᵊ saːhɪbᵊ]), is the central religious text of Sikhism, considered by Sikhs to be the final sovereign Guru of the religion. [1]
This is regarded as the second holiest book of the Sikhs and is called the Dasam Granth – the book of the tenth guru. [24] The Granth was compiled three years after the guru's death and it was Mata Sundri, the widow of the guru, who asked Bhai Mani Singh , a contemporary of the guru, to collect all the hymns composed by the guru and prepare a ...
Sukhmani Sahib (Punjabi: ਸੁਖਮਨੀ ਸਾਹਿਬ), known under the title of Gauri Sukhmani in the scripture (named after the Gauri raga musical measure it belongs to), [1] is usually translated to mean Prayer of Peace [2] is a set of 192 padas (stanzas of 10 hymns) [3] present in the holy Guru Granth Sahib, the main scripture and living Guru of Sikhism from Ang 262 to Ang 296 (about ...
An apt simile for this Raag is that of a king winning a battle, however, he is then told that his son has perished on the battlefield. This Raag conveys a sense of having to put duty first. The duality of the emotions of joy and sorrow prevents overreacting to good or bad news. Raga Jaijaiwanti bears the closest resemblance to raga: Gara.