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Vietnamese poetry originated in the form of folk poetry and proverbs. Vietnamese poetic structures include Lục bát, Song thất lục bát, and various styles shared with Classical Chinese poetry forms, such as are found in Tang poetry; examples include verse forms with "seven syllables each line for eight lines," "seven syllables each line for four lines" (a type of quatrain), and "five ...
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Vietnamese literature (Vietnamese: Văn học Việt Nam) is the literature, both oral and written, created largely by the Vietnamese. Early Vietnamese literature has been greatly influenced by Chinese literature .
Nguyễn Bính (Vụ Bản 1918 – Nam Định 1966) was a Vietnamese poet. [1] [2] A committed supporter of the August Revolution he moved to the resistance base of Viet Minh, a united front led by Indochinese Communist Party, in Đồng Tháp Mười leading a literature and arts unit. [3]
Among the poets of the "New Poetry," Nguyễn Khắc Hiếu, better known by pen-name Tản Đà, (1889–1939) was one of the transitional poets between the old and "New." [ 8 ] In terms of literary criticism, Hoài Thanh (1909-1982) was the first to make a systematic comparison of the Tho Moi movement with Western poetry.
Vietnamese literature (Chinese: 越南文學, Vietnamese: Việt-nam văn-học) is literature, both oral and written, created by Vietnamese-speaking people. For much of its history, Vietnam was dominated by China and as a result much of the written work during this period was in Classical Chinese .
Mộng-Lan received a Dean's Master of Fine Arts Fellowship from the University of Arizona (1999-2000), a Dr. Muriel Pollia Summer Fellowship in Poetry (2001) and a Stegner Fellowship from Stanford University (2000-2002), and completed a Fulbright Fellowship in Vietnam (2002). [9]
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