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The Pietà (Italian: [maˈdɔnna della pjeˈta]; "[Our Lady of] Pity"; 1498–1499) is a Carrara marble sculpture of Jesus and Mary at Mount Golgotha representing the "Sixth Sorrow" of the Virgin Mary by Michelangelo Buonarroti, in Saint Peter's Basilica, Vatican City, for which it was made.
Palazzo Caravita di Sirignano; Palazzo Cellammare, Naples; Villa Donn'Anna; Palazzo Doria d'Angri; Palazzo Firrao, Naples; Palazzo Giordano a Via Medina, Naples; Palace of the Immacolatella, Naples; Palazzo Latilla, Naples; Palazzo di Ludovico di Bux a via Nilo, Naples; Palazzo Marigliano, Naples; Monte di Pietà, Naples; Museo Civico Filangieri
The paintings dates to the period where Bellini began to outgrow the artistic influence of Andrea Mantegna, his brother-in-law.Via the Sampieri collection in Bologna (catalogue no. 454), it entered Brera in 1811 as a gift from the viceroy of Eugene de Beauharnais's Kingdom of Italy.
Until 1888 a passageway connected the Sansevero palace with the chapel. The chapel received its alternative name of Pietatella from a painting of the Virgin Mary ( La Pietà ), spotted there by an unjustly arrested prisoner, as reported in the book Napoli Sacra by Cesare d'Engenio Caracciolo in 1623.
The Deposition (also called the Bandini Pietà or The Lamentation over the Dead Christ) is a marble sculpture by the Italian High Renaissance master Michelangelo.The sculpture, on which Michelangelo worked between 1547 and 1555, depicts four figures: the dead body of Jesus Christ, newly taken down from the Cross, Nicodemus [1] (or possibly Joseph of Arimathea), Mary Magdalene and the Virgin Mary.
The Palestrina Pietà is a marble sculpture of the Italian Renaissance, dating from c. 1555 and now in the Galleria dell'Accademia, Florence.It was formerly attributed to Michelangelo, but now it is mostly considered to have been completed by someone else, such as Niccolò Menghini [1] or Gian Lorenzo Bernini. [2]
The Palazzo del Monte di Pietà before the earthquake of 1908. The mount of piety of Messina was founded in 1581 by the Arciconfraternita degli Azzurri, and it was built on the ruins of a church dedicated to St. Basil. [1] The present building began to be built in 1616 to designs of the architect Natale Masuccio. The structure originally had a ...
The original palace dates back to 1482 when Ludovico il Moro founded the Monte di Pietà of Milan in the then contrada dei Tre Monasteri. [2] Later, of these three monasteries of the toponym, one was incorporated into the remodelling of the palace by the court architect Giuseppe Piermarini in 1782, namely the convent of Santa Chiara, of which a hall with fragments of frescoes [1] remains at ...