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Tenor Saxophone Concerto (2015) Bass Clarinet Concerto (2018) Concerto for Recorder and Chamber Orchestra (the one-movement concerto contains sections for bass recorders – C and F –, one passage for alto recorder, and one section for sopranino recorder) (2020) Alto Flute Concerto (the 4th movement out of 6 is scored for Bass flute) (2021)
A number of concertos and concertante works have been written for cor anglais (English horn) and string, wind, chamber, or full orchestra.. English horn concertos appeared about a century later than oboe solo pieces, mostly because until halfway through the 18th century different instruments (the taille de hautbois, vox humana and the oboe da caccia) had the role of the tenor or alto ...
A number of concertos (as well as non-concerto works) have been written for the oboe, both as a solo instrument as well as in conjunction with other solo instrument(s), and accompanied by string orchestra, chamber orchestra, full orchestra, concert band, or similar large ensemble. These include concertos by the following composers:
Pierre Max Dubois, sometimes given as Pierre-Max Dubois (1 March 1930 – 29 August 1995) was a French composer of classical music, conductor, and music educator.He was a student of Darius Milhaud, and though not widely popular, was respected.
Concerto for alto saxophone and orchestra (1990)—Miklós Maros; Concerto for alto saxophone and string orchestra (1993)—Krzysztof Meyer; Music for alto saxophone and orchestra (1993/95)—Bertold Hummel; Cyber Bird Concerto, for alto saxophone and orchestra, Op. 59 (1994)—Takashi Yoshimatsu
The Oboe Concerto No. 3 in G minor (HWV 287) was composed by George Frideric Handel for oboe, orchestra and basso continuo, possibly in 1704-1705, [1] when he was still in Hamburg. It was first published in Leipzig in 1863 (from unknown sources) in which it was described as a work from 1703.
Piano Concerto No. 3 in F minor (1945) Piano Concerto No. 4 in B major (1955) Piano Concerto No. 5 (1960) Theodor Leschetizky. Piano Concerto in C minor, Op. 9; Lowell Liebermann. Piano Concerto No. 1, Op. 12 (1983) Piano Concerto No. 2, Op. 36 (1992) Piano Concerto No. 3, Op. 95 (2006) Rhapsody on a Theme of Paganini Op.72 (2001) Peter Lieberson
World (1968/74), for 6 voices, 2 flutes (both doubling piccolo and the second alto flute), 2 oboes (one doubling oboe d'amore, the other cor anglais), 2 clarinets (the second doubling E-flat clarinet), 2 piccolo trumpets, trombone, tuba, 3 percussionists, cimbalom, celesta, 2 pianos, harp, 2 violins, 2 violas, 2 cellos, 2 double basses [19'] [2]