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North American Indian Jewelry and Adornment: From Prehistory to the Present. New York: Harry N. Abrams, 1999: 170-171. ISBN 0-8109-3689-5. Haley, James L. Apaches: a history and culture portrait. Norman: University of Oklahoma Press, 1997. ISBN 978-0-8061-2978-5. Karasik, Carol. The Turquoise Trail: Native American Jewelry and Culture of the ...
Probably from agutí, agoutí, or acutí, names for the animal, via French. In Brazilian Portuguese acutí is pronounced acuchí. [citation needed] Agouti (Dasyprocta) rodent: Guarani or Tupi: From agutí, agoutí, or acutí, names for the animal. [6] Ahytherium † ground sloth: Tupi: From Ahy ("sloth") and Greek therion ("beast") [7] Aivukus ...
Little is known of Atsidi Sani. However, it is known that he was born near Wheatfields, Arizona, c. 1830 as part of the Dibelizhini (Black Sheep) clan. [1] [2] He was known by many names, but to his people, he was known as Atsidi Sani, which translates to "Old Smith," and to the Mexicans he was known as Herrero, which means "Iron Worker."
Middle Ground Project of Northern Colorado University with images of U.S. documents of treaties and reports 1846–1931; Navajo Silversmiths, by Washington Matthews, 1883 from Project Gutenberg; Navajo Institute for Social Justice Archived 2021-04-18 at the Wayback Machine; Navajo Arts Information on authentic Navajo Art, Rugs, Jewelry, and Crafts
Native American In Native American Ojibwa culture the human mind was believed to be susceptible to dark spirits, when the mind is weakest (I.e. asleep) and would give bad dreams. In defense the men and women would weave dream catchers. These talismans would let the good dream spirits through, whilst trapping the bad spirits in the pattern.
Navajo rugs are woven by Navajo women today from Navajo-Churro sheep, other breeds of sheep, or commercial wool. Designs can be pictorial or abstract, based on historic Navajo, Spanish, Asian, or Persian designs. 20th century Navajo weavers include Clara Sherman and Hosteen Klah, who co-founded the Wheelwright Museum of the American Indian.
A contemporary Navajo rug Third phase Chief's blanket, circa 1870–1880. Navajo weaving (Navajo: diyogí) are textiles produced by Navajo people, who are based near the Four Corners area of the United States. Navajo textiles are highly regarded and have been sought after as trade items for more than 150 years.
Native American remains were on display in museums up until the 1960s. [129] Though many did not yet view Native American art as a part of the mainstream as of the year 1992, there has since then been a great increase in volume and quality of both Native art and artists, as well as exhibitions and venues, and individual curators.
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