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W H24 \ Vauxhall Song: By my sighs you may discover W H25 \ Vauxhall Song: Cruel Strephon, will you leave me W H26 \ Vauxhall Song: Come Colin, pride of rural swains W H27 \ Vauxhall Song: Ah, why shou'd love with tyrant W H28 \ Vauxhall Song: In this shady blest retreat W H29 \ Vauxhall Song: Smiling Venus, Goddess dear
The Prelude in F minor of The Well-Tempered Clavier book 1, in the BGA known as Vol. 14, p. 44, over eighty years before it was given the number 857 in the Bach-Werke-Verzeichnis. In the 2nd half of the 19th century the Bach-Gesellschaft (BG) published all Bach's works in around 50 volumes, the so-called Bach Gesellschaft Ausgabe (BGA). [3]
The 50 Greatest Pieces of Classical Music is a compilation of classical works recorded by the London Philharmonic Orchestra with conductor David Parry. [2] Recorded at Abbey Road Studios , Royal Festival Hall and Henry Wood Hall in London, the compilation was released in digital formats in November, 2009 and as a 4-CD set in 2011. [ 3 ]
Songs and arias by Johann Sebastian Bach are compositions listed in Chapter 6 of the Bach-Werke-Verzeichnis (BWV 439–524), which also includes the Quodlibet. [1] Most of the songs and arias included in this list are set for voice and continuo. Most of them are also spiritual, i.e. hymn settings, although a few have a worldly theme.
The Bach-Werke-Verzeichnis (BWV; lit. ' Bach works catalogue ' ; German: [ˈbax ˈvɛrkə fɛrˈtsaeçnɪs] ) is a catalogue of compositions by Johann Sebastian Bach . It was first published in 1950, edited by Wolfgang Schmieder .
"Ave Maria" is a setting of the Latin prayer Ave Maria, originally published in 1853 as "Méditation sur le 1er prélude de piano de S. Bach ". [1] The piece consists of a melody by the French Romantic composer Charles Gounod that he superimposed over an only very slightly changed version of Bach's Prelude No. 1 in C major , BWV 846, from Book ...
Weichet nur, betrübte Schatten (Dissipate, you troublesome shadows), [1] BWV 202, [a] is a secular cantata by Johann Sebastian Bach. [2] [3] It was likely composed for a wedding, but scholars disagree on the dating which could be as early as Bach's tenure in Weimar, around 1714, while it has traditionally been connected to his wedding to Anna Magdalena on 3 December 1721 in Köthen.
Exact dates (e.g. for most cantatas) usually indicate the assumed date of first (public) performance. When the date is followed by an abbreviation in brackets (e.g. JSB for Johann Sebastian Bach) it indicates the date of that person's involvement with the composition as composer, scribe or publisher. 4 Name