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Interfaith greetings (Indonesian: Salam Lintas Agama), sometimes referred as Bhinneka greetings (Indonesian: Salam Kebhinekaan), [1] are often used to open formal meetings in Indonesia. The phrases combine the greeting phrases of several or all major religions in Indonesia.
Mohan Rakesh (8 January 1925 – 3 December 1972) was one of the pioneers of the Nai Kahani ("New Story") literary movement of the Hindi literature in India in the 1950s. He wrote the first modern Hindi play, Ashadh Ka Ek Din (One Day in Aashad) (1958), which won a competition organised by the Sangeet Natak Akademi.
Hikaaitaan or Hikāyatān (Punjabi: ਹਿਕਾਇਤਾਂ () • حکایت (), pronunciation: [ɦɪkäːɪt̪ãː], lit. ‘realities’) is a title given to the semi-legendary set of 11 tales (hikayat; Gurmukhi: ਹਿਕਾਇਤਾ, romanized: Hikā'itā), composed in the Gurmukhi/Persian vernacular (with a few words in the Majha dialect), [3] whose authorship is traditionally ...
He received the Sangeet Natak Akademi Award in the year 1990 for his contribution to the art form. Each performance lasts 12 hours. The complete play, as enacted in royal courts of Odisha's southern gadajatas, often took as long as 7 nights. Prahallada Nataka has multiple characters, but only a few remain relevant throughout the play.
Agama, states Dhavamony, is also a "generic name of religious texts which are at the basis of Hinduism". [8] Other terms used for these texts can include saṃhitā (“collection”), sūtra (“aphorism”), or tantra ("system"), with the term "tantra" utilized more frequently for Shakta agamas, than for Shaiva or Vaishnava agamas.
Syed Asghar Wajahat, popularly known as Asghar Wajahat (born 5 July 1946), is a Hindi scholar, fiction writer, novelist, playwright, an independent documentary filmmaker and a television scriptwriter, [1] who is most known for his work, 'Saat Aasmaan' and his acclaimed play, 'Jis Lahore Nai Dekhya, O Jamyai Nai', based on the story of an old Punjabi Hindu woman who gets left behind in Lahore ...
Chandragupta Maurya, one of the protagonists; Chanakya, one of the protagonists; Rakshasa, the main antagonist; Malayketu, the son of Parvataka and one of the henchmen; Parvataka, a greedy king who firstly supported Chandragupta but later changed his preference to Dhana Nanda
Sangeet Natak Akademi. OCLC 233639306., Table of Contents; Kapila Vatsyayan (1974). Indian classical dance. Sangeet Natak Akademi. OCLC 2238067. Kapila Vatsyayan (2008). Aesthetic theories and forms in Indian tradition. Munshiram Manoharlal. ISBN 978-8187586357. OCLC 286469807. Kapila Vatsyayan. Dance In Indian Painting. Abhinav Publications.