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Interfaith greetings (Indonesian: Salam Lintas Agama), sometimes referred as Bhinneka greetings (Indonesian: Salam Kebhinekaan), [1] are often used to open formal meetings in Indonesia. The phrases combine the greeting phrases of several or all major religions in Indonesia.
Mohan Rakesh (8 January 1925 – 3 December 1972) was one of the pioneers of the Nai Kahani ("New Story") literary movement of the Hindi literature in India in the 1950s. He wrote the first modern Hindi play, Ashadh Ka Ek Din (One Day in Aashad) (1958), which won a competition organised by the Sangeet Natak Akademi.
Vinayak Vishnu Khedekar is an Indian writer and folklorist from Goa, India.He has made contributions to the preservation and promotion of Goa's cultural heritage. He received several awards, including the Padma Shri, Sangeet Natak Akademi Fellowship, Gomant Vibhushan, Dr. Komal Kothari Smriti (Lifetime Achievement) Lok Kala Puraskar, the Kala Akademi's Literary Award for his book Gomantakiya ...
Kusumagraj was born into a Deshastha Brahmin family [7] on 27 February 1912 in Pune as Gajanan Ranganath Shirwadkar. He even published some of his poetry under this name in 1930s.
Agama, states Dhavamony, is also a "generic name of religious texts which are at the basis of Hinduism". [8] Other terms used for these texts can include saṃhitā (“collection”), sūtra (“aphorism”), or tantra ("system"), with the term "tantra" utilized more frequently for Shakta agamas, than for Shaiva or Vaishnava agamas.
Sekhon was born in Lyallpur, Punjab, British India (present-day Pakistan), and grew up in his father's village in Dakha, near Ludhiana.His father was an idealist but introverted while his mother was more practical and religious, practicing Sikh Singh Sabha.
Chandragupta Maurya, one of the protagonists; Chanakya, one of the protagonists; Rakshasa, the main antagonist; Malayketu, the son of Parvataka and one of the henchmen; Parvataka, a greedy king who firstly supported Chandragupta but later changed his preference to Dhana Nanda
The highest spiritual power in Sunda Wiwitan is Sang Hyang Kersa ("The Powerful") or Nu Ngersakeun ("He Who has the Will"). This supreme being is also referred to by several names or divine titles, such as Batara Tunggal ("The One"), Batara Jagat ("Ruler of Universe"), and Batara Seda Niskala ("The Unseen").