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Funk carioca (Portuguese pronunciation: [ˈfɐ̃k(i) kɐɾiˈɔkɐ,-kaɾ-]), also known as favela funk, in other parts of the world as baile funk and Brazilian funk, or even simply funk, is a Brazilian hip hop-influenced music genre from Rio de Janeiro, taking influences from musical styles such as Miami bass and freestyle.
DJ Marlboro's radio show "Big Mix", broadcast since the 80s, has popularised a soft version of the underground funk carioca songs. These soft versions formed a romantic subgenre called melodic funk in Brazil, adding melodies and arrangements to the raw, beat-y funk tunes. Anitta is one of the most important artists of funk melody in Brazil. She ...
Música popular brasileira (Portuguese pronunciation: [ˈmuzikɐ popuˈlaʁ bɾaziˈlejɾɐ], Popular Brazilian Music) or MPB is a trend in post-bossa nova urban popular music in Brazil that revisits typical Brazilian styles such as samba, samba-canção and baião and other Brazilian regional music, combining them with foreign influences, such as jazz and rock.
Forró is the most popular genre of music and dance in Brazil's Northeast, [citation needed] to the extent that historically "going to the forró" meant simply going to party or going out. [citation needed] The music is based on a combination of three instruments (accordion, zabumba and a metal triangle). The dance however becomes very ...
Proibidão is characterized as a raw mix of live funk vocals and Miami bass structures. The explicit lyrics typically promote the gang the MC is affiliated with, crime, drug use, and violence. Each drug gang sponsors their own baile funk at their own favela(s), which results in a unique sound that distinguishes each MC, and by extension, each gang.
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Frevo is a dance and musical style originating from Recife, Pernambuco, Brazil, traditionally associated with Brazilian Carnival. The word frevo is said to come from frever, a variant of the Portuguese word ferver (to boil). It is said that the sound of the frevo will make listeners and dancers feel as if they are boiling on the ground. The ...
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