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Among artists, authenticity in art describes a work of art faithful to the artist's values. [7] In the field of psychology, authenticity identifies a person living life in accordance with their true Self and personal values rather than according to the external demands of society, such as social conventions , kinship , and duty .
In the art business, the artistic value of a well-executed forgery is irrelevant to a curator concerned with the authenticity of provenance of the original work of art [20] — especially because formally establishing the provenance of a work of art is a question of possibility and probability, rarely of certainty, unless the artist vouches for ...
John Dewey's Art as Experience, based on the William James lectures he delivered at Harvard University, was an attempt to show the integrity of art, culture and everyday experience (IEP). Art, for Dewey, is or should be a part of everyone's creative lives and not just the privilege of a select group of artists.
An aesthetic interpretation is an explanation of the meaning of some work of art. An aesthetic interpretation expresses an understanding of a work of art, a poem, performance, or piece of literature. There may be different interpretations to same work by art by different people owing to their different perceptions or aims.
Also called humanocentrism. The practice, conscious or otherwise, of regarding the existence and concerns of human beings as the central fact of the universe. This is similar, but not identical, to the practice of relating all that happens in the universe to the human experience. To clarify, the first position concludes that the fact of human existence is the point of universal existence; the ...
"Art Matters: A Critical Commentary on Heidegger's Origin of the Work of Art", Springer Science and Business Media, 2009; Babich, Babette E. "The Work of Art and the Museum: Heidegger, Schapiro, Gadamer", in Babich, 'Words In Blood, Like Flowers. Philosophy and Poetry, Music and Eros in Hoelderlin, Nietzsche and Heidegger' (SUNY Press, 2006)
In his work "History and Truth" (1976), Schaff critiqued the traditional "justified true belief" definition of knowledge from a materialist perspective. He argued that knowledge should be understood as a process rather than a static state, emphasizing the role of social practice and historical context in knowledge formation. [ 7 ]
The reason Hume's instance is not singular, is this: if indeed a person can have an idea of a shade of blue, though he had not had a previous impression of that shade, then we have to allow that a person could have an idea of missing shades of every other colour also; and there is no reason why we should restrict ourselves here to a ...