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It is widely considered one of the most difficult pieces ever written for the solo violin. It requires many highly advanced techniques such as parallel octaves and rapid shifting covering many intervals, extremely fast scales and arpeggios including minor scales, left hand pizzicato, high positions, and quick
Wind, brass, and fretted-stringed-instrument players can perform an extremely rapid chromatic scale (e.g., sliding up or down a string quickly on a fretted instrument). Arpeggio effects (likewise named glissando) are also obtained by bowed strings (playing harmonics) and brass, especially the horn. [6]
Caprice 15 is in ABA form. The "A" section is in E minor and starts with a melody in octaves followed by a variation in 32nd notes. The "B" section is in G major (the relative major to E minor) and features upbow staccato and singly-bowed arpeggios. 16: G minor: Presto: Caprice No. 16 is perhaps the simplest of the caprices. The chief ...
The circle diagram shows the number of sharps or flats in each key signature, with the major key indicated by a capital letter and the minor key indicated by a lower-case letter. Major and minor keys that have the same key signature are referred to as relative major and relative minor of one another.
Horn Sonata in F major, Op. 17: Scores at the International Music Score Library Project "Horn Sonata in F major, Op. 17 (Alexander Galouza, French Horn & Teresa Ksieska-Falger, Piano)" . YouTube. 2012-11-14.
Concerto ex Dis Dur [i.e., in E-flat major] No. 2, for horn, two violins, viola and basso continuo, Lund manuscript; Carl Heinrich Graun. Concerto in D major for corno concertato, 2 violins, viola and basso; Trio ex D for horn, violin and Basso; Concerto in D major for horn, oboe d' amore and basso; Concerto in E major for horn, oboe d`amore ...
Scales and arpeggios (with several alternate articulations) [7] Major and minor scales, proceeding in thirds [7] Arpeggios on dominant 7th chords [7] Arpeggios on diminished sevenths [7] Intervals [8] Chromatic intervals [8] Articulation and intervals [8] Expression [8] Melodic expression [8] Rhythmic expression [8] Harmonic expression [8]
Scales and Arpeggios, Fundamental Exercises for the Saxophone Book 1, 2 and 3 by Marcel Mule. Alphonse Leduc, SS, 1948, 30 pages. This book includes scales, scales in thirds, arpeggios, arpeggios on the dominant seventh chord in all major and minor keys. Instructions are in French, English, German, Spanish and Japanese.