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"Preludes" is a poem by T. S. Eliot, composed between 1910 and 1911. [1] It is in turns literal and impressionistic, exploring the sordid and solitary existences of the spiritually moiled as they play out against the backdrop of the drab modern city. In essence, it is four poems rather than one, and it is duly labelled as such.
Thomas Stearns Eliot OM (26 September 1888 – 4 January 1965) was a poet, essayist and playwright. [1] He was a leading figure in English-language Modernist poetry where he reinvigorated the art through his use of language, writing style, and verse structure.
Eliot wrote "The Love Song of J. Alfred Prufrock" between February 1910 and July or August 1911. Shortly after arriving in England to attend Merton College, Oxford in 1914, Eliot was introduced to American expatriate poet Ezra Pound, who instantly deemed Eliot "worth watching" and aided the start of Eliot's career.
"The Hollow Men" (1925) is a poem by the modernist writer T. S. Eliot. Like much of his work, its themes are overlapping and fragmentary, concerned with post–World War I Europe under the Treaty of Versailles, hopelessness, religious conversion, redemption and, some critics argue, his failing marriage with Vivienne Haigh-Wood Eliot. [2]
The following is a list of books of poetry by T. S. Eliot arranged chronologically by first edition. [Note 1] Some of Eliot's poems were first published in booklet or pamphlet format (such as his Ariel poems.)
Pages in category "Poetry by T. S. Eliot" The following 23 pages are in this category, out of 23 total. ... Preludes (poem) S. A Song for Simeon; Sweeney Agonistes; W.
T. S. Eliot in 1934. In 1925, Eliot became a poetry editor at the London publishing firm of Faber & Gwyer, Ltd., [1]: pp.50–51 after a career in banking, and subsequent to the success of his earlier poems, including "The Love Song of J. Alfred Prufrock" (1915), "Gerontion" (1920) and "The Waste Land" (1922).
Portrait of T. S. Eliot is a 1938 painting by Wyndham Lewis, depicting the US-born British writer T. S. Eliot. It received publicity when it was rejected by the Royal Academy of Arts. Eliot praised the painting and it became one of Lewis' most celebrated works. It was bought by the Durban Art Gallery in Durban.