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If a CPU has an NX bit, it is more likely to be viewed as being a complex instruction set computer (CISC) or reduced instruction set computer (RISC). MISC chips typically lack hardware memory protection of any kind, unless there is an application specific reason to have the feature. If a CPU has a microcode subsystem, that excludes it from ...
One developing sociomusicological theory in computational musicology is the "Discursive Hypothesis" proposed by Kristoffer Jensen and David G. Hebert, which suggests that "because both music and language are cultural discourses (which may reflect social reality in similarly limited ways), a relationship may be identifiable between the ...
The Oxford Companion to Music describes three interrelated uses of the term "music theory": The first is the "rudiments", that are needed to understand music notation (key signatures, time signatures, and rhythmic notation); the second is learning scholars' views on music from antiquity to the present; the third is a sub-topic of musicology ...
A CPU cache [71] is a hardware cache used by the central processing unit (CPU) of a computer to reduce the average cost (time or energy) to access data from the main memory. A cache is a smaller, faster memory, closer to a processor core , which stores copies of the data from frequently used main memory locations .
Some of the material covered in the course involves sight reading, in-depth terminology, musical phrasing and musical composition, music history, chord structure, cadences, musical texture, and other areas of music theory. In addition, part-writing is an integral part of the course, as it takes up half of the 8 units covered. This course is ...
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Music appreciation is a division of musicology that is designed to teach students how to understand and describe the contexts and creative processes involved in music composition. The concept of music appreciation is often taught as a subset of music theory in higher education and focuses predominantly on Western art music , commonly called ...
Computer music systems and approaches are now ubiquitous, and so firmly embedded in the process of creating music that we hardly give them a second thought: computer-based synthesizers, digital mixers, and effects units have become so commonplace that use of digital rather than analog technology to create and record music is the norm, rather ...
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