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The shankha on the right is the icon for Vishnu at the Dattatreya temple, Bhaktapur Nepal. Avatars of Vishnu like Matsya, Kurma, Varaha, and Narasimha are also depicted holding the shankha, along with the other attributes of Vishnu. Krishna – avatar of Vishnu is described possessing a
Vishnu Black in colour, possesses a large chakra, shaped like a gada, a linear mark is present on the top surface near the vadana. Grants liberation on being worshipped. Madhusudhana Golden in colour with a lustrous appearance, has a single chakra and endowed with markings resembling a lotus and a shankha. Destroys enemies on being worshipped.
Vishnu, for example, is the source of creator deity Brahma in the Vaishnavism-focussed Purana texts. Vishnu's iconography and a Hindu myth typically shows Brahma being born in a lotus emerging from his navel, who then is described as creating the world [107] or all the forms in the universe, but not the primordial universe itself. [108]
The slim-waisted woman Gada holds a chowry in her hands and is adored with ornaments, with Vishnu's right hand resting on her head. [3] While the Sudarshana Chakra is depicted as a subordinate figure with Vishnu, in many South Indian Vishnu temples, the Chakra as an ayudhapurusha is worshipped in its own shrine attached to the central temple.
Panchajanya (Sanskrit: पाञ्चजन्य, IAST: Pāñcajanya) is the shankha (conch) of the Hindu preserver deity Vishnu, one of his four primary attributes. [1] The Panchajanya symbolises the five elements, [2] and is considered to produce the primeval sound of creation when blown. [3]
The Kalika Purana describes him as an attendant of Vishnu, who has four arms, and is red and brown in complexion. He seats on a white lotus, has long beard and wears matted hair. He carries a lotus, gada, shanka, and chakra in his hands. [11] [12] The Pancharatra text Lakshmi Tantra mentions Vishvaksena as four-armed and holding a shankha and a ...
The real shankha has 3 to 7 ridges or plaits on its columella, whereas whelk shells have no such plaits. The so-called "flower-bud opening test", and the "rice pulling test" (Valampuri said to rise up through a rice heap) are non scientific.
The Matsya, Kurma, Varaha, Narasimha and Kalki images are depicted as four-armed, which conveys the idea of Vishnu's supremacy. All of them hold Vishnu's attributes of the shankha and chakra in their two hands. Their other two hands express the abhayamudra and varadamudra; Kalki is the exception, holding a sword and a shield.