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[1] [2] [3] Courses include content on "linguistics, endangered indigenous language documentation and revitalization, language and literacy learning, second language teaching and curriculum development, and language policy and planning." [42] CILLDE also maintains an online catalogue of their "books, reports, journals, and learning materials." [43]
Words sources for these tables are: Plains Cree, the Online Cree Dictionary website; [10] Woods Cree, the Gift of Language and Culture website [17] and the Saskatchewan Indian Languages website, [18] western Swampy Cree, the Saskatchewan Indian Languages website; [18] eastern Swampy Cree, Ontario Ministry of Education (2002), [19] and East Cree ...
Sam wâpam- ew see- 3SG Susan- a Susan- 3OBV Sam wâpam- ew Susan- a Sam see-3SG Susan-3OBV "Sam sees Susan." The suffix -a marks Susan as the obviative, or 'fourth' person, the person furthest away from the discourse. The Cree language has grammatical gender in a system that classifies nouns as animate or inanimate. The distribution of nouns between animate or inanimate is not phonologically ...
Swampy Cree (variously known as Maskekon, Maskegon and Omaškêkowak, and often anglicized as Omushkego) is a variety of the Algonquian language, Cree.It is spoken in a series of Swampy Cree communities in northern Manitoba, central northeast of Saskatchewan along the Saskatchewan River and along the Hudson Bay coast and adjacent inland areas to the south and west, and Ontario along the coast ...
When We Were Alone is a children's book written by David Robertson, illustrated by Julie Flett and published December 1, 2016 by HighWater Press.The book is published in English, and one edition include text in Swampy Cree syllabics and Roman orthography, translated by Alderick Leask.
The term Moose Cree is derived either from the toponym Môsoniy, meaning 'Moose Island' or Môso-sîpiy, meaning 'Moose River'.The former is the historical name for the summering grounds of the speakers of this dialect, but has been appropriated by the modern municipality of Moosonee, leaving the island with the official English name of Moose Factory, a name that recalls the historical ...
The fear of seemingly harmless strangers that’s heightened during our era of online “relationships” (not to mention COVID) is cannily exploited in actor-turned-writer-director Christian ...
In The Crooked Good, Halfe explores Cree sacred history using a Cree feminist perspective. [12] Halfe incorporates the white space on the page into the meaning of her poems. [3] The white space represents the settler-colonial idea of terra nullius and, therefore, signifies erasure, a loss of language, and an inability to speak. [3]