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Extreme Prejudice is a 1987 American neo-Western action thriller film [3] directed by Walter Hill, from a screenplay by Harry Kleiner and Deric Washburn, from a story by John Milius and Fred Rexer. It stars Nick Nolte and Powers Boothe, with a supporting cast including Michael Ironside, María Conchita Alonso, Rip Torn, William Forsythe, and ...
Cast: Tony Lo Bianco as Carlos, Pamela Villoresi as Antonella, Elizabeth Hurley as Julia Latham, Gottfried John as Rodimstev, Alan Howard as Sam McCready, Venantino Venantini as Umberto Aidoni, David Lyon as Patrick Cowlishaw, Richard Hope as Spry, Garrick Hagon as Stephen T. Hamilton, Philip Lowrie as Superintendent Jamieson, Pier Luigi Misasi ...
During the 1980s, he also starred in Under Fire (1983), [16] Teachers (1984), Down and Out in Beverly Hills (1986), [17] Extreme Prejudice (1987) [18] and New York Stories (1989). [19] Nolte starred with Katharine Hepburn in her last leading film role in Grace Quigley (1985). [20] Nolte and Murphy starred again in the sequel Another 48 Hrs ...
Extreme Prejudice: Major Paul Hackett 1987 Nowhere to Hide: Ben Cutter 1987 Hello Mary Lou: Prom Night II: Principal Bill Nordham 1988 Office Party: Larry Gaylord AKA Hostile Takeover: 1988 Watchers: Lem Johnson 1990 Chaindance: J.T. Blake Also screenwriter 1990 Total Recall: Agent Richter 1991 Highlander II: The Quickening: General Katana 1991 ...
Jane Austen’s literary works have inspired many successful film and television adaptations, including the 2005 iteration of Pride & Prejudice. Pride & Prejudice closely follows Austen’s 1818 ...
Jerry Ziesmer (May 31, 1939 – August 1, 2021) was an American assistant director, production manager and occasional actor. He is best known for his role as Jerry in the 1979 film Apocalypse Now in which he delivers the infamous line "terminate with extreme prejudice".
Stars like Keira Knightley, Matthew Macfadyen, and Judi Dench starred in the 2005 film adaptation of Jane Austen's novel. Here's what they're up to.
Some actors are willing to go to extreme lengths to get into character. Case in point: Lou Taylor Pucci's drastic decision for "Poor Boy."