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The Mod Archive was established in February 1996 as a place for tracker artists to upload their work. [2] Since then, the site has emerged into being a community for artists and module enthusiasts. In an effort to make the website more dynamic , the community part of the site was added around 2000, in the form of message boards and an indexed ...
Module file (MOD music, tracker music) is a family of music file formats originating from the MOD file format on Amiga systems used in the late 1980s. Those who produce these files (using the software called music trackers ) and listen to them form the worldwide MOD scene, [ 1 ] a part of the demoscene subculture.
MOD is a computer file format used primarily to represent music, and was the first module file format. MOD files use the “.MOD” file extension , except on the Amiga which doesn't rely on filename extensions; instead, it reads a file's header to determine filetype.
The Jazz Scene, Rawlings, Terry. Mod: A Very British Phenomenon; Scala, Mim. Diary Of A Teddy Boy. Sitric (2000), ISBN 0-7472-7068-6; Verguren, Enamel . This Is a Modern Life: The 1980s London Mod Scene, Enamel Verguren. Helter Skelter (2004), ISBN 1-900924-77-3; Weight, Richard. Mod: A Very British Style. Bodley Head (2013) ISBN 978-0224073912
The mod revival is a subculture that started in the United Kingdom in the late 1970s and later spread to other countries (to a lesser degree).. The Mod Revival started with disillusionment with the punk scene when commercialism set in. [citation needed] It was featured in an article in Sounds music paper in 1976 and had a big following in Reading/London during that time.
Scene.org (also known as The International Scene Organization) is a non-profit organization, providing the currently largest demoscene file repository. It was founded in 1996 by Jaakko "Mellow-D" Manninen, though originally it existed as ftp.fm.org , an FTP-server for releases from the group Five Musicians.
The Mod Musical is an Off-Broadway musical by Phillip George and David Lowenstein featuring songs from the swinging sixties. The musical features five female singers who are called, Orange, Blue, Green, Yellow and Red.
Jonathan Holden, writing in the Rough Guide To Rock, declared the single to be "excellent" and that its "punky, energetic and brass-fulfilled pop" was out of place in 1992. [12] John Harris considers the track as one of the first ever Britpop songs, and a starting point for the movement. [ 13 ]