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"Morgen!" ("Tomorrow!") is the last in a set of four songs composed in 1894 by the German composer Richard Strauss.It is designated Opus 27, Number 4.. The text of this Lied, the German love poem "Morgen!", was written by Strauss's contemporary, John Henry Mackay, who was of partly Scottish descent but brought up in Germany.
In 1964, Petula Clark recorded the English rendition Thank you, which was released as a single in the UK. "Danke für diesen guten Morgen" has been included in the hymnal Evangelisches Gesangbuch as EG 334. [1] "Danke" has been called the best-known German sacred song, according to Jörg Döring who analyzed its rhetoric. [1]
It was not until 2001 that Das alte Haus was released on the comprehensive compilation Stationen: Von heute bis morgen released in 2001. Further successes came to York in the German Airplay charts from 1976 with Gib dem Glück eine Chance (1976), Ein Mann wie du (1977) and Ein Lied für Maria (1978) as well as the two top 10 hits Ein Adler kann ...
bald steigt der Morgen hell herauf! Ein schwerer Kampf ist’s den wir wagen, zahllos ist unsrer Feinde Schar. Doch ob wie Flammen die Gefahr mög über uns zusammenschlagen! Refrain: Nicht fürchten wir den Feind, stehn wir im Kampf vereint! Marsch, marsch, marsch, marsch! und sei’s durch Qual und Not, für Freiheit, Recht und Brot! II
Von morgens bis mitternachts is an expressionist play written by the German dramatist Georg Kaiser in 1912. The play was banned by German censors for unclear reasons; contemporary accounts stated that the play was neither immoral nor anarchistic. [1] In 1917 the play was produced by the Austrian theatre director Max Reinhardt.
Minna von Barnhelm' (1767), by Gotthold Ephraim Lessing; Miß Sara Sampson (1755), by Gotthold Ephraim Lessing; Von morgens bis mitternachts (1912), by Georg Kaiser; Mutter Courage und ihre Kinder (1938–39/1941), by Bertolt Brecht
The libretto may indeed be a contemporary comedy of manners, but the music is complex, the angular vocal-lines and large orchestra creating a frightening whirlwind of fury. Schoenberg wrote: "I have proved in my operas Von heute auf morgen and Moses und Aron that every expression and characterization can be produced with the style of free ...
Each stanza ends with a refrain of 2 lines which are repeated: "Und bis wir uns wieder sehen, halte Gott dich fest in seiner Hand" (And until we see each other again, may God hold you tight in his hand). [3] [4] The melody is not inspired by Irish models but Pytlik's invention. [1] Set in F major and common time, it features many lively eighth ...