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A fisheye lens is an ultra wide-angle lens that produces strong visual distortion intended to create a wide panoramic or hemispherical image. [4][5]: 145 Fisheye lenses achieve extremely wide angles of view, well beyond any rectilinear lens. Instead of producing images with straight lines of perspective (rectilinear images), fisheye lenses use ...
See Canon EF lenses for the product line-up. See Canon EF-S lenses for the product line-up. EF-S lenses are built for APS-C 1.6x crop sensors, so they only work with models that use this sensor size. When EF-S lenses are used on a 35mm (full frame) camera the back element will hit the mirror assembly or cause substantial vignetting since the ...
Canon EF 8-15mm lens. The EF8–15mm f/4L FISHEYE USM is a fisheye zoom lens for Canon digital single-lens reflex cameras (DSLRs) with an EF lens mount. It delivers 180° diagonal angle of view images for all EOS SLR cameras with imaging formats ranging from full-frame to APS-C, and provides 180° circular fisheye images for full-frame EOS models.
The Canon EF 15mm f / 2.8 was a fisheye lens produced by Canon from 1987 to 2011. The lens was compatible with all EF camera bodies but only intended for full-frame configurations, as the fisheye effect is much less pronounced with a cropped sensor . In 2010 Canon announced the EF 8–15mm f / 4L Fisheye USM which replaced the EF 15mm f / 2.8. [2]
Fisheye lenses are wide-angle lenses with heavy barrel distortion and thus exhibit both these phenomena, so objects in the center of the image (if shot from a short distance) are particularly enlarged: even if the barrel distortion is corrected, the resulting image is still from a wide-angle lens, and will still have a wide-angle perspective.
Canon New FD lens mounting surface.. The FD lens mount is a breech-lock mount, which is a variation of the common triple-flanged bayonet attachment. The advantage of the breech-lock over the bayonet is that neither the contact surfaces between the body and lens, nor the signalling mechanisms, rotate against each other when the lens is mounted.
So a standard 50 mm lens for 35 mm photography acts like a 50 mm standard "film" lens even on a professional digital SLR, but would act closer to a 75 mm (1.5×50 mm Nikon) or 80 mm lens (1.6×50mm Canon) on many mid-market DSLRs, and the 40-degree angle of view of a standard 50 mm lens on a film camera is equivalent to a 28–35 mm lens on ...
Peleng 3.5/8A is an 8 mm super-wideangle circular fisheye photographic lens, and is designed as an interchangeable lens for Canon, Nikon, Pentax, Olympus digital or film cameras which have or do not have the instant-return diaphragm automatic control device [clarification needed]. The lens has a variable diaphragm from f/3.5 to f/16.